Thư viện prompt AI OpenZhenZhen · MiniMax H3 · video

Căn phòng kính trong suốt biết rời đi

The Transparent Glass Suite That Drives Away

Căn phòng kính trong suốt biết rời đi — khám phá tác phẩm được tạo bằng MiniMax H3 trên OpenZhenZhen, kèm prompt gốc và ví dụ tạo nội dung để tham khảo.

Căn phòng kính trong suốt biết rời đi — AI video creation
Căn phòng kính trong suốt biết rời đi

Prompt

Prompt tiếng Trung

生成一段20秒、9:16竖屏的连续手机视频，全程为一个未经剪切的手持长镜头。阴天自然光，呈现普通、未经修饰的手机拍摄质感。全程使用提供的身份参考图来确定成年东亚女性的面容与外貌；她是成年人，留深色长发，穿灰色露肩长袖短上衣、灰色褶皱短裙和黑色细带凉鞋。服装保持完整，始终不变。参考图仅用于人物外貌，不用于确定服装。 一间透明玻璃墙的酒店套房置于平板拖车上，由一辆红色皮卡牵引，行驶在靠近服务区入口、车流缓慢的高速公路上。室内有固定的白色床铺、床头柜、半缸水的浴缸和一盏亮着的小吊灯。一名男性从相邻轿车的前排副驾驶座拍摄；车门边缘和后视镜偶尔出现在画面下方。自然手抖、路面颠簸、玻璃反光、对焦搜索、轻微数码变焦和压缩噪点。无电影调色、慢动作、切镜、音乐、旁白或字幕。 0–4秒：镜头从侧后方跟拍玻璃套房和红色皮卡。女子坐在床上，望向拍摄者，露出浅浅的笑，并朝自己缓慢勾一次手指。套房仍固定在拖车上。 4–8秒：她转向床头柜，按下机械按钮，然后站起并抓住床柱。运输锁扣解开，拖车尾部的两块长坡板展开，套房底盘降下四只大型动力轮。表现轮子承托套房，沿坡板向后驶下；吊灯摇晃，浴缸水面泛起涟漪。女子在室内站稳，玻璃保持完整。 8–12秒：四只轮子全部落到路面。套房与此时已空置的拖车明确分离，停止倒退，随后依靠自身动力向前加速。女子双手抓住床柱稳住身体；吊灯摇摆，浴缸里的水晃动。镜头转向跟拍套房，短暂构图不稳，随后重新对准。 12–16秒：玻璃房沿车流中的空隙转向，驶入服务区入口。拍摄车跟随。画面中出现加油站雨棚，以及一排空置、地面标有绿色标线的电动车充电位和清晰可见的充电桩。清楚表现套房独立的车轮和底盘；皮卡与空拖车留在后方。 16–18秒：套房转入一个空置的绿色充电位，在白线内对正并停下。女子稳住身体；吊灯和水逐渐平静。画面中可见充电桩，充电线仍挂在桩上。充电线不自动伸出，也没有人插枪。 18–20秒：停稳后，女子坐回靠近玻璃的床沿，自然交叉双腿，隔着带有水痕的玻璃直视拍摄者，神情放松，带着浅浅的笑。她抬起右手，用一根手指朝自己勾两下。以连续手持镜头结束，画面保留停好的套房、亮着的吊灯、空置充电位和服务区雨棚。 套房、家具和四轮布局始终保持一致。套房与拖车分离后不再被牵引。动作顺序保持为：轮子落地、停止倒退、独立向前行驶、穿过车流、进入服务区、停车。不要出现漂浮、瞬移、碰撞、玻璃破裂、失控溢水、额外车轮或室内其他人物。

Prompt tiếng Anh

Create a 20-second continuous 9:16 vertical smartphone video, one uncut handheld shot, overcast daylight and ordinary unpolished phone footage. Use the supplied identity reference image for the adult East Asian woman’s face and appearance throughout; keep her adult, with long dark hair, wearing a gray off-shoulder long-sleeve crop top, gray pleated mini skirt, and black strappy sandals. Keep her clothing intact and unchanged. The reference image defines her appearance only, not her outfit. A transparent glass-walled hotel room sits on a flatbed trailer pulled by a red pickup on a slow-moving highway near a service-area entrance. Inside are a fixed white bed, bedside table, bathtub partly filled with water, and a small lit chandelier. A man films from the front passenger seat of a neighboring car; the car door edge and mirror occasionally frame the bottom of the image. Natural hand shake, road bumps, glass reflections, focus hunting, mild digital zoom, and compression noise. No cinematic grading, slow motion, cuts, music, narration, or subtitles. 0–4 seconds: The camera tracks the glass suite and red pickup from beside and slightly behind. The woman sits on the bed, looks toward the filmer, smiles faintly, and curls one finger toward herself once. The suite remains secured on the trailer. 4–8 seconds: She turns to the bedside table, presses a mechanical button, and stands, gripping the bedpost. The transport locks release, two long ramps unfold from the trailer, and four large powered wheels descend from the suite’s chassis. Show the wheels supporting the suite as it rolls backward down the ramps; the chandelier sways and the bathtub water ripples. Keep the woman steady inside and the glass intact. 8–12 seconds: All four wheels reach the road. The suite separates clearly from the now-empty trailer, stops reversing, then accelerates forward under its own power. The woman braces with both hands on the bedpost as the chandelier swings and water sloshes inside the tub. The camera turns to follow the room, briefly framing it imperfectly before recentering. 12–16 seconds: The glass room steers through an open gap in slow traffic and turns into the service area. The filming car follows. A fuel-station canopy and an empty row of green-marked EV charging bays with visible charging posts come into view. Show the room’s independent wheels and chassis clearly; the pickup and empty trailer remain behind. 16–18 seconds: The suite turns into one empty green charging bay, aligns within the white lines, and stops. The woman steadies herself; the chandelier and water settle. A charger is visible with its cable still docked. No cable extends and nobody plugs in. 18–20 seconds: Once stopped, the woman sits on the bed near the glass, crosses her legs naturally, and looks directly at the filmer through the water-marked glass with a relaxed slight smile. She raises her right hand and beckons twice with one finger. End on the continuous handheld view of the parked suite, lit chandelier, empty bays, and service-area canopy. Keep the suite, furniture, and four-wheel layout consistent. The suite is never towed after separating from the trailer. Preserve the order: wheels land, stop reversing, drive forward independently, pass through traffic, enter the service area, park. No floating, teleporting, collisions, broken glass, uncontrolled flooding, extra wheels, or additional people inside.

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