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Память ладони сквозь пять веков

Palm Memory Across Five Centuries

«Память ладони сквозь пять веков» — работа с использованием MiniMax H3 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Память ладони сквозь пять веков — AI video creation
Память ладони сквозь пять веков

Промпт

Промпт на китайском

生成一段20秒、9:16竖屏、细腻写实的3D角色动画，动作真实稳健，采用节奏明确的多镜头叙事。成年女性的外观须使用提供的身份参考图，并保留下述服装描述。不得要求提供源视频或音频。不要字幕、片头文字、标签或水印。所有对白和旁白均使用英语。 角色与场景 Alin：成年女性，浅铂金色直发及刘海，白色无袖上衣、蓝色牛仔裤、棕色腰带和高筒棕色靴子。Lisa：成年女性，侧分短金发，橙棕色羊羔绒领皮夹克、棕色束身短裙和系带短靴。Hia：中国成年女战士，辫起的发髻与发包，金色发饰和长耳坠，深红色飘带，深蓝黑与暗红刺绣长袍，黑金护肩和护腕；右手持冷银色直剑，黑金剑鞘留在左腰。 现实场景为废弃公路，有高架路、报废汽车、破损广告牌、远处的废墟高塔和尘雾。一辆静止的锈红色改装复古双门车停在Alin和Lisa身后，带有黑色补丁车门、车顶架灯和行李，车头朝画面左侧。两人并排站立，相距约半米。Hia从道路一侧走来，在她们前方约70厘米处停下，位于两人之间。保持间距和视线连贯；现实镜头始终位于三人连线的同一侧。所有人都不看镜头。汽车熄火且车门关闭。 分段动作 0.0–3.4秒——开场即让三名女性和汽车同时出现在画面中。Hia走完最后一步，长袍随后落定。Alin镇定地注视Hia；Lisa微微靠向Alin，无意识地捏着夹克下摆。Hia先看Alin，再看Lisa，以低沉平稳的成年女性声音问：“Want to know who I am?” 3.4–6.0秒——Hia伸出左手，掌心朝上，停在腰间高度。右手将剑低低持于身侧，剑尖朝地，安全地远离另外两人。她先温和、随后坚定地说：“Come on. Give me your hands.” Alin看一眼掌心，将右手放上去；Lisa看向Alin，稍作迟疑，再把左手放在最上方。手的顺序始终为：Hia左手在下、Alin右手居中、Lisa左手在上。 6.0–7.0秒——硬切至固定的垂直俯拍，清楚显示三条手臂：Hia的黑金袖口、Alin裸露的前臂、Lisa的橙棕色袖子。表现三只手自然地依次叠好，皮肤略有受压。Lisa的手完全放稳之前，不得启动特效。 7.0–8.0秒——细薄的古金色光线和透明折射从相叠的手间扩散，形成圆形窗口。窗口内直接显现桃花林中的石地空地，只有Hia：没有Alin、Lisa、汽车或废墟建筑。圆窗外仍能看见现实中的双手和灰色公路地面，直到窗口扩展至全屏。于8.0秒完成转换，并保持俯视角度。 8.0–11.4秒——在桃花林中，以高位斜角全身镜头拍摄Hia，完整呈现双脚、胯部和剑的全路径。她以真实、清晰可读的速度连贯完成一套动作：从左下向右上挥出上挑斜斩，短距离向前迈步，接着从右向左横斩，最后在身体左侧前方稳稳收住。长袍和飘带随动作摆动，少量低处花瓣被带起。身体与步法保持清晰，运动模糊仅限剑身。没有敌人或能量波。一名低沉平稳的成年男性旁白说：“Five hundred years ago, Hia was the greatest Jinyiwei warrior in Ming dynasty China.” Hia始终闭嘴。旁白延续至之后的细节镜头。 11.4–13.8秒——用简短特写延续动作：Hia锐利的眼神先稳定下来，肩膀随后停住；发饰保持固定，松散发丝与红色飘带扬起后落回；一只金耳坠摆动一次并掠过高光。展示一片花瓣落在朝上剑身中央的平面上，短暂映出光泽，随后越过靠近镜头的一侧滑落出画。镜头不要追随花瓣。回到侧面三分之四中景，Hia完成收势，将未入鞘的剑收至腰侧，剑尖斜向外，身体重心落稳。她不再攻击，也不收剑入鞘。 13.8–15.0秒——细薄的古金色圆形边框收缩，显露最初的现实俯拍画面，三条手臂和手的顺序保持不变。桃花林缩入手上方的圆形影像，并于15.0秒消失在接触点中。这是记忆窗口闭合，不是身体变形。 15.0–16.2秒——清楚表现双手分开：Alin的右手向左上方抽回，Lisa的左手向右上方抽回，Hia的左手稍向下收回。硬切至现实侧面的中景，接住同一段撤手动作。Alin轻轻吸气后稳住自己；Lisa肩膀一缩，用刚收回的左手捂住嘴。Hia仍将剑低低稳稳地持在右手中。 16.2–17.2秒——Alin特写，背景中仍能辨认Lisa。Alin的手指先微蜷再放开；她的目光从Hia的护腕移到她的脸，咽一下，再缓缓呼气。她不说话，也不后退。Lisa早已睁大双眼，用手捂着嘴。 17.2–18.8秒——镜头平滑移向Lisa并转换焦点。她先看Alin，再看回Hia，放下左手使嘴部清晰可见，以震惊但克制的成年女性声音说：“Holy shit... five hundred years ago?!” “shit”之后短暂停顿，“five hundred”重读，语气透出难以置信。不要尖叫或使用喜剧音效。她不看镜头。 18.8–20.0秒——沿Lisa的视线切至Hia的三分之四正面近景，背景是柔焦的灰蓝色公路。Lisa最后一个音节在画外结束。Hia闭嘴聆听，呼吸平稳；目光逐渐柔和，下巴微微低下，嘴角一侧浮现克制的浅笑。以她的双眼和表情结束，不要淡出。 风格、声音与连续性 使用自然的人眼视角和真实比例。现实场景采用低饱和灰青、尘灰色调，以画面右上方柔和日光照明、冷色天空补光，肤色保持自然暖调。清楚保留锈红汽车、Lisa的橙棕夹克、Hia的暗红衣料、Alin的白色上衣，以及各自不同的金发色调。记忆场景包含冷雾、柔粉色花瓣、深蓝黑和暗红布料、旧金饰与冷银剑；画面右上方的光线穿过树叶，形成更明显的轮廓光。返回现实后，曝光和白平衡恢复至开场状态。仅在花瓣落到剑身的细节处短暂使用选择性慢动作。 声音：现实中只有轻风、轻微脚步声、衣料和皮革声，不要发动机声。记忆中用稀疏低沉的古琴泛音和低鼓；两次挥剑各配简短剑风和低鼓点，之后收敛音乐，为旁白和细节镜头留出空间。转换时只用短促低频脉冲、折射扫过声和金属泛音。回到现实后音乐渐退，保留清晰呼吸和环境声。结尾只留风声、轻柔呼吸和渐弱的古琴余音。三种声音须有区别：Hia、Lisa与男性旁白；Alin不说话。角色不说话时保持闭嘴。 保持身份、服装、间距、手的顺序、视线、汽车朝向、持剑的手和剑鞘位置稳定。动作体现真实重心、脚下压力、衣料与发丝的延迟运动、剑的惯性、重力和手掌接触。不要角色重复、面部混合、多余肢体或手指、手部融合、左右手互换、武器漂移、身体变形、重复动作循环、新敌人、僵尸、爆炸、额外剑招、全屏闪光、过早触发的转场特效、字幕或额外对白。

Промпт на английском

Generate a 20-second, 9:16 vertical, fine realistic 3D character animation with grounded motion and a controlled multi-shot sequence. Use the supplied identity reference image for the adult women’s appearance and preserve their described outfits. Never request source video or audio. No subtitles, titles, labels, or watermark. All spoken dialogue and narration are in English. CHARACTERS AND SETTING Alin: adult woman with straight light platinum-blonde hair and bangs, a white sleeveless top, blue jeans, brown belt, and tall brown boots. Lisa: adult woman with short side-parted blonde hair, an orange-brown shearling-collar leather jacket, brown corset-style short skirt, and lace-up ankle boots. Hia: adult Chinese female warrior with a braided updo and bun, gold hair ornaments and long earrings, dark red ribbons, a dark blue-black and dark red embroidered robe, black-gold shoulder and wrist armor, and a cool silver straight sword held in her right hand; her black-gold scabbard stays at her left waist. Reality is an abandoned highway with an elevated roadway, wrecked cars, broken billboards, distant ruined towers, and dusty haze. A stationary rust-red modified vintage two-door car with a black patched door, roof rack lights and luggage sits behind Alin and Lisa, hood pointing frame-left. They stand side by side about half a meter apart. Hia approaches from the road and stops about 70 centimeters in front of them, centered between them. Keep their spacing and eyelines consistent. Reality shots remain on the same side of the group. No one looks at camera. The car stays off, with doors closed. TIMED SEQUENCE 0.0–3.4 — Open immediately with all three women and the car visible. Hia finishes a step and her robe settles. Alin holds steady, watching Hia; Lisa subtly leans toward Alin and pinches her jacket hem. Hia looks to Alin, then Lisa, and calmly asks in a low adult female voice: “Want to know who I am?” 3.4–6.0 — Hia offers her left hand, palm up at waist height. Her right hand keeps the sword low, tip toward the ground and safely outside the others’ reach. She says, gently then firmly: “Come on. Give me your hands.” Alin checks the palm and places her right hand into it; Lisa glances at Alin, hesitates briefly, then places her left hand on top. The hand order is always Hia’s left hand below, Alin’s right in the middle, Lisa’s left on top. 6.0–7.0 — Hard cut to a fixed vertical overhead view. Clearly distinguish Hia’s black-gold sleeve, Alin’s bare forearm, and Lisa’s orange-brown sleeve. Show the three hands settling once, naturally, with slight skin compression. Do not start the effect before Lisa’s hand is fully placed. 7.0–8.0 — Thin antique-gold light and transparent refraction bloom from the joined hands into a circular window. Within it, show Hia alone in a pink blossom forest on a stone clearing: no Alin, Lisa, car, or ruined structures. The real hands and grey highway ground remain visible outside the circle until the image expands to fill frame. Complete the transition at 8.0 seconds, preserving the downward-facing angle. 8.0–11.4 — In the blossom clearing, show Hia in a high oblique full-body view with both feet, hips, and the complete sword path visible. At a grounded, readable pace, she performs one continuous phrase: a rising diagonal slash from lower left to upper right, a short advance into a horizontal cut from right to left, then a controlled stop in front of her left side. Her robe and ribbons trail; a few low petals lift. Keep her body and footwork crisp, with motion blur limited to the blade. No enemy or energy wave. A deep, steady adult male narrator says: “Five hundred years ago, Hia was the greatest Jinyiwei warrior in Ming dynasty China.” Hia keeps her lips closed. Carry the narration over the following detail shots. 11.4–13.8 — Brief close details carry the movement through: Hia’s intent eyes settle before her shoulders; loose hairs and red ribbons whip and fall back while ornaments stay fixed; one gold earring swings once and catches a highlight. Show a petal land on the flat middle of her upward-facing blade, reflect briefly, then slip over the near edge and fall out of frame. Do not follow it with the camera. Return to a medium three-quarter view as Hia completes her recovery, draws the unsheathed sword toward her waist with its tip angled outward, and settles her weight. She does not re-attack or sheath the sword. 13.8–15.0 — A thin antique-gold circular border contracts, revealing the original overhead reality view with the same three forearms and hand order. The blossom scene shrinks into a circular image above the hands and disappears into the contact point at 15.0. This is a memory window, not a body transformation. 15.0–16.2 — The hands separate clearly: Alin’s right hand pulls upper left, Lisa’s left upper right, and Hia’s left slightly downward. Hard cut to the reality side medium view as the movement continues. Alin takes a small breath and steadies herself; Lisa recoils at the shoulders and covers her mouth with her left hand. Hia keeps the sword low and steady. 16.2–17.2 — Close on Alin with Lisa visible behind her. Alin’s fingers curl and release; she looks from Hia’s wrist armor to her face, swallows, then exhales. She says nothing and does not step back. Lisa is already wide-eyed and covering her mouth. 17.2–18.8 — Glide focus to Lisa. She checks Alin, looks back to Hia, lowers her left hand so her mouth is visible, and says with a shocked but restrained adult female voice: “Holy shit... five hundred years ago?!” Give the phrase a brief pause after “shit” and disbelief on “five hundred”; no scream or comic effect. She never looks at camera. 18.8–20.0 — Cut along Lisa’s eyeline to Hia’s three-quarter close-up against a softly blurred grey-blue highway background. Lisa’s last syllable finishes offscreen. Hia listens with lips closed and steady breathing; her eyes soften, chin dips slightly, and one corner of her mouth lifts into a faint restrained smile. Finish on her eyes and expression, without a fade. STYLE, SOUND, AND CONTINUITY Use natural human-eye perspective and grounded proportions; reality is low-saturation grey-cyan and dust-grey with soft high camera-right sunlight, cool sky fill, and natural skin warmth. Preserve the rust-red car, Lisa’s orange-brown jacket, Hia’s dark red textiles, Alin’s white top, and distinct blonde tones. The memory has cool mist, soft pink petals, dark blue-black and red fabric, old gold, and a cold silver blade, with stronger rim light from high frame-right. On return, restore the opening reality exposure and white balance. Use brief selective slow motion only for the petal-on-blade detail. Sound: quiet wind, light footsteps, cloth and leather movement in reality; no engine. In memory, sparse low guqin overtones and a low drum accent accompany the two sword cuts, followed by restrained ambience under narration. Transitions use only a brief low pulse, refractive sweep, and metallic overtone. After returning, let the music fall away. Keep breath and ambience clear; the ending holds wind, soft breath, and a fading trace of guqin. Three distinct voices: Hia, Lisa, and male narrator; Alin never speaks. Characters keep lips closed when not speaking. Maintain stable identities, wardrobe, spacing, hand order, eyelines, car orientation, sword hand, and scabbard position. Realistic weight, foot pressure, cloth and hair delay, sword inertia, gravity, and hand contact. No duplicates, face mixing, extra limbs or fingers, fused hands, left-right swaps, weapon drift, body morphs, repeated gesture loops, new enemies, zombies, explosions, additional sword moves, full-screen flashes, premature transition effects, subtitles, or extra dialogue.

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