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Хорошая новость в открытке

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«Хорошая новость в открытке» — работа с использованием MiniMax H3 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Хорошая новость в открытке — AI video creation
Хорошая новость в открытке

Промпт

Промпт на китайском

MiniMax H3 视频生成规格：制作一段20秒、16:9的电影感场景，地点是阳光明媚夏日的现代客厅。阳光从右侧照入。简洁家具包括铺满许多红色糖果盒的红白格沙发，墙上悬挂民族风挂毯。表演自然，对白清晰，口型同步真实，保留干净的室内环境声；不得将源视频或音频作为输入。镜头1：中近景，平视固定机位，居中构图。一名留着黑色短发、戴金属框眼镜、有胡子、面容和善的中年男子穿夹克坐在桌旁，双手拿着明信片低头查看，满足而喜悦地微笑并说：“姐姐，我过得挺好的。我马上要去港澳了。”镜头2：中景，平视固定机位，三分法构图。一名成年女性学生的外貌必须匹配所提供的身份参考图；她留着扎在脑后的长发，深色皮肤，五官精致，穿格子衬衫。她身形瘦弱，安静地坐在堆满红色糖果盒的格子沙发上，微笑着专注倾听，用一只手轻轻整理头发，并轻声说：“我回来以后，这孩子还真要去港澳了。”镜头3：中近景，平视固定机位，居中构图。男子仍坐在桌旁，沉浸在查看明信片的喜悦中，双眼微眯，脸上绽放极其灿烂的笑容，开心地说：“这孩子还真要去港澳了。”镜头4：特写，平视固定机位，居中构图。聚焦男子的双手：他举起明信片，先向镜头展示带有地址和邮戳的背面，再翻转明信片，露出正面的风景图。四个镜头在20秒时长内平滑推进，保持服装、场景、道具、光线和人物外貌连续一致。

Промпт на английском

MiniMax H3 video generation specification: Create a 20-second, 16:9 cinematic scene in a modern living room on a sunny summer day. Sunlight enters from the right. The simple furnishings include a red-and-white checkered sofa covered with many red candy boxes and an ethnic-style tapestry on the wall. Use natural performances, clear spoken dialogue, realistic lip sync, and clean room ambience; do not use source video or audio as input. Shot 1: medium close-up, eye-level static camera, centered composition. A middle-aged man with short black hair, metal-framed glasses, a beard, and a kind face wears a jacket, sits at a table, holds a postcard with both hands, looks down at it, and smiles contentedly while saying, “Sis, I'm doing pretty well. I'm about to go to Hong Kong and Macau.” Shot 2: medium shot, eye-level static camera, rule-of-thirds composition. An adult female student must match the supplied identity reference image for her appearance; she has long hair tied behind her head, dark skin, delicate features, and wears a plaid shirt. She is thin and frail, sits quietly on the checkered sofa surrounded by red candy boxes, smiles, listens attentively, gently tidies her hair with one hand, and softly says, “When I get back, this kid really is going to Hong Kong and Macau.” Shot 3: medium close-up, eye-level static camera, centered composition. The man remains at the table, immersed in the postcard, eyes narrowed with an extremely radiant smile, saying happily, “This kid really is going to Hong Kong and Macau.” Shot 4: close-up, eye-level static camera, centered composition. Focus on the man's hands as he holds up the postcard, first showing its back with the address and postmark, then flipping it to reveal the landscape image on the front. Pace the four shots smoothly within the 20-second runtime, preserving continuity of wardrobe, setting, props, lighting, and character appearance.

Темы и стили

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