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Противостояние в квартире при дневном свете и тёплой лампе

Confrontation in Apartment Daylight and Warm Lamplight

«Противостояние в квартире при дневном свете и тёплой лампе» — работа с использованием MiniMax H3 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Противостояние в квартире при дневном свете и тёплой лампе — AI video creation
Противостояние в квартире при дневном свете и тёплой лампе

Промпт

Промпт на китайском

生成一段20秒、超写实的电影感动作场景，地点是一间杂乱的城市公寓工作室，里面有书籍、海报、散落的家具、旧设备和暖色实用灯具。画面比例为16:9。两名成年女性身穿写实的休闲街头服装，进行紧张但不血腥的徒手搏斗。每位女性的外貌均以所提供的身份参考图为准，同时保留所描述的休闲街头服装。不要要求提供源视频或音频作为输入。 以展现整个房间的全景开场，对峙随即开始。一名女性拿着一根长木制物体发起攻击，另一名女性格挡并躲闪。随后展开快速而可信的动作编排，包括格挡、出拳、闪避、近距离扭打、强力推搡和可控的摔倒动作。动作保持扎实且符合物理规律，体现自然的重量、平衡和冲击力；衣物、头发和身体随动作自然反应。避免明显伤害或血腥画面。 采用灵活的手持电影摄影，在全景、中景跟拍、低角度镜头和冲击瞬间的紧特写之间切换。加入轻微镜头晃动和真实的运动模糊，同时确保两名搏斗者清晰可见。整个场景保持一致的房间布局。冷色日光从大窗户照入，与暖橙色实用灯光形成对比，营造粗粝的青橙色电影色调，并呈现真实的阴影、体积光、尘埃微粒，以及略带抛光感地板上的倒影。 最后几秒，交锋进一步升级：一名女性失去平衡并摔倒在地。另一名女性留在前景站立，喘着粗气，保持有力的防御姿态；镜头逐渐稳定，定格在戏剧性的结尾画面。超写实的人体动作、富有表现力的面部表情、自然的皮肤质感与头发运动、电影景深、35毫米胶片质感、高动态范围、戏剧性的实景灯光和精良的动作电影摄影。避免卡通风格、夸张的物理效果或不自然的身体变形。

Промпт на английском

Generate a 20-second ultra-realistic cinematic action sequence in a messy urban apartment studio filled with books, posters, scattered furniture, old equipment, and warm practical lamps. Use a 16:9 aspect ratio. Two adult women in realistic casual streetwear engage in a tense, non-graphic hand-to-hand fight. For each woman, use the supplied identity reference image to define her appearance, while preserving her described casual streetwear. Never request source video or audio as input. Open with a wide establishing view of the room as the confrontation begins. One woman attacks with a long wooden object; the other blocks and dodges. Build into fast, believable choreography with blocks, punches, evasions, close-range grappling, forceful shoves, and a controlled takedown. Keep movement grounded and physically plausible, with natural weight, balance, and impact; clothing, hair, and bodies respond naturally. Avoid graphic injury or gore. Use dynamic handheld cinematography, alternating wide shots, medium tracking shots, low angles, and tight impact close-ups. Add subtle camera shake and realistic motion blur while keeping both fighters clearly visible. Maintain consistent room layout throughout. Cool daylight streams through large windows and contrasts with warm orange practical lamps, creating a gritty teal-and-orange look with realistic shadows, volumetric light, dust motes, and reflections on a slightly polished floor. In the final seconds, intensify the exchange: one woman loses balance and falls to the floor. The other remains standing in the foreground, breathing heavily in a strong defensive stance as the camera settles into a dramatic final shot. Ultra-realistic human motion, expressive faces, natural skin texture and hair physics, cinematic depth of field, 35mm film look, high dynamic range, dramatic practical lighting, polished action-film cinematography. No cartoon style, exaggerated physics, or unnatural body deformation.

Темы и стили

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