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Пир рамена в замке иллюзий

Castle Illusion Ramen Feast

«Пир рамена в замке иллюзий» — работа с использованием MiniMax H3 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Пир рамена в замке иллюзий — AI video creation
Пир рамена в замке иллюзий

Промпт

Промпт на китайском

制作一支20秒、16:9的超写实电影级奇幻烹饪广告，场景为温暖金色调的日式古堡厨房，红木、灯笼、雕花屏风、蒸汽与铜制厨具，食物真实、动作符合物理规律。每个镜头都使用所提供的身份参考图来保持同一位成年东亚女性主角的脸部与外貌；服装始终一致：贴身白色短袖厨师上衣（细腻粉色刺绣）、深红束腰、及膝黑色分层裙（内穿贴身安全短裤）、白袜和红鞋，深色长发松散高马尾并带侧边碎发。她敏捷、自信、顽皮。配角为原创真人电影质感奇幻角色：穿丝绸围兜的巨大圆润古堡精灵、穿正式长袍的高大人形青蛙、戴粉色围巾会说话的小狐狸、戴面具侍从和年迈厨师。 0-2.8秒：极近距离拍摄她的手指在麻将牌间滑动敲击。镜头沿牌面移动到她的眼睛；她直视镜头微笑说“开饭”，将一枚牌弹向镜头。麻将牌旋转穿过青蛙和狐狸之间，贴近镜头并变成旋转的白色面团。 2.8-7.2秒：面团飞入蒸汽翻涌的厨房。她接住面团，拉成长带，拍在木桌上，抛向空中，从下方旋转穿过并在背后接住。连续拉伸、折叠、拍桌使面条变细。她跃过矮凳，半蹲落地，身后形成巨大的白色弧线。 7.2-10.5秒：她滑步穿过轻摆的铜锅，面条绕锅而过却不粘不结。她完成低身旋转、快速起身和腾空转体，将面条拍在撒满面粉的长桌上。面粉云升起，短暂慢动作中她向镜头眨眼。狐狸抱姜跑过，精灵拍手，青蛙滑稽地被面条缠住。 10.5-14.2秒：戴面具侍从滑来切菜板。狐狸抛姜，她接住并在石臼中捣碎；老厨师递葱，她精准快速切碎。特写姜末、葱花、红色辣椒油在高汤中扩散，以及高汤倒入铜锅。她用长柄勺接住蒸汽顶起的锅盖并准确盖回另一口锅。 14.2-17.5秒：她抱着整束乌冬沿灶台奔跑，踏上矮凳跃起，将巨大面条弧线抛入沸腾铜锅。蒸汽充满画面，面条在水中翻滚。她用长筷翻动并用漏勺捞起，抛入陶碗，青蛙稳稳接住。 17.5-20秒：狐狸推出红色漆盘。她接碗放上滑行托盘，从铜壶注入金色高汤，引导葱花落在面上，再加姜、花瓣和一滴辣椒油。托盘滑向镜头，她、狐狸和青蛙在后方追赶。以精美乌冬特写结束，最后突然安静。无背景音乐，仅有麻将声、脚步、衣料、拍面、切菜、沸水、火焰、锅碗、呼吸和少量对白，声音逐渐密集后在结尾静默。

Промпт на английском

Create a 20-second, 16:9 photorealistic cinematic fantasy cooking commercial in a warm golden Japanese castle interior with red wood, lanterns, carved screens, steam, copper cookware, realistic food and physically coherent action. Use the supplied identity reference image for the same adult East Asian female lead in every shot; preserve her face and appearance, while keeping her outfit consistent: fitted white short-sleeve chef top with delicate pink embroidery, dark red waist sash, knee-length layered black skirt with fitted safety shorts, white socks and red shoes, loose high ponytail and soft side strands. She is agile, playful and confident. Original supporting characters are a huge round castle sprite in a silk bib, a tall humanoid frog in a formal robe, a talking fox with a pink scarf, masked attendants and elderly cooks; all are original live-action-quality fantasy characters. 0-2.8s: Extreme close-up of the woman’s fingers sliding and tapping mahjong tiles. Camera glides along the tiles to her eyes; she looks into lens, smiles and says “Dinner.” She flicks one tile toward camera. It spins past the frog and fox, filling frame and transforming into a spinning white dough disc. 2.8-7.2s: The dough flies into a vast steaming kitchen. She catches it, stretches it into a long ribbon, slaps it on a wooden table, tosses it upward, spins beneath it and catches it behind her. Rapid pulls, folds and table slaps make thinner noodles. She vaults a low bench and lands in a crouch as a huge white arc forms behind her. 7.2-10.5s: She slides between gently swaying copper pots, looping noodles around them without sticking or tangling. She performs a low spin, quick rise and airborne turn, then slaps the noodles onto a flour-covered table. A flour cloud blooms in brief slow motion; she winks at camera. The fox runs past with ginger, the sprite claps, and the frog gets comically tangled. 10.5-14.2s: A masked attendant slides a cutting board. The fox tosses ginger; she catches it, pounds it in a stone mortar, then receives scallions from an old cook and chops them precisely. Close-ups show ginger breaking, green scallions, red chili oil blooming in broth, and a ladle pouring stock into a copper pot. She catches a steam-lifted lid with a long ladle and replaces it on another pot. 14.2-17.5s: Carrying a bundle of udon, she runs along the stove, steps on a low bench and leaps, throwing a giant noodle arc into boiling copper broth. Steam fills frame; noodles roll in water. She stirs with long chopsticks and lifts them with a strainer, then tosses them into a ceramic bowl that the relieved frog catches. 17.5-20s: The fox slides a red lacquer tray. She takes the bowl, places it on the moving tray, pours golden broth from a copper kettle, and guides falling scallions onto the noodles, adding ginger, flower petals and a drop of chili oil. The tray glides toward camera; she, fox and frog chase behind. End on a beautiful udon close-up and a sudden quiet. Sound design: no music, only tile clicks, footsteps, cloth, dough slaps, chopping, boiling water, fire, cookware, breathing and sparse dialogue, building in density before the final silence.

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