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Граффити с тенью кита в дождливом переулке

Whale Shadow Graffiti in Rainy Alley

«Граффити с тенью кита в дождливом переулке» — работа с использованием MiniMax H3 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Граффити с тенью кита в дождливом переулке — AI video creation
Граффити с тенью кита в дождливом переулке

Промпт

Промпт на китайском

制作一段15秒、9:16竖屏的实拍与手绘涂鸦合成视频，在蓝调时刻的雨湿港口小巷中，以一次不间断的手持手机镜头完成。保持真实世界不变：自然的右手、深藏青雨袖、沾有颜料的指尖、米白色小口袋速写本、短短的钴蓝色蜡笔、细腕绳、湿润反光、货箱、自行车、行人、屋顶和港口灯光。涂鸦使用不完美的钴蓝铅笔线条，压力变化、重叠轮廓、断开空隙、松散排线、轻微线条抖动和扁平透明色块；绝不呈现为 polished 数字贴纸。0至3秒：行走中的近距离第一视角，手部实时画出一艘小帆船，展示犹豫的曲线、反复修改、石墨碎屑和压力变化。完成的帆船抖动着越过纸页边缘，滑向地面。3至6秒：镜头迅速降到膝盖高度；涂鸦帆船落入路缘浅水流，产生真实的圆形涟漪。松散的波浪线在后方展开，帆船从渔货箱下方驶过，并被货箱和行人双腿正确遮挡。6至9秒：路人的靴子踩过水面；涂鸦随涟漪弯曲，在湿沥青上拖开并碎成粗糙片段，随后每个缺失部分都以逐笔重画的方式恢复，帆船继续前进。9至12秒：帆船进入映着天空的宽阔水洼。一条从桅杆伸出的线快速在倒影上勾勒出巨大的松散鲸鱼轮廓。鲸鱼像有弹性的活墨水般从水洼升起，经过停放的自行车后方、远处灯光前方，保持准确的深度和遮挡关系。12至15秒：镜头向上仰拍，扁平涂鸦鲸鱼在写实屋顶之间游动；尾巴让真实悬挂的雨棚布飘动，并扰动下方水洼。它吐出一串俏皮的涂鸦小鱼，随后定格为颤动的未完成线稿，而真实小巷继续运动。加入行走颠簸、手臂摆动、自动对焦延迟、曝光呼吸、镜头雨滴和轻微滚动快门畸变，保持连贯的空间路径。冷蓝调环境光与暖色港灯来自同一方向。涂鸦保持扁平且不受光照影响，但通过透视、视差、接触、反射、遮挡和水面变形牢牢贴合环境。全程无剪切、无转场、无时间跳跃；每个涂鸦都必须源自可见的铅笔笔画或已有线条，真实物体不得改变。声音包括细雨、港口水声、远处海鸥、脚步、蜡笔摩擦、纸张摩擦、清脆的靴子溅水声、湿墨拖擦声，以及鲸鱼升起时深沉的纸张呼啸声。加入原创的15秒稀疏配乐：低调木琴、柔和拨弦和温暖空气垫，营造安静惊奇与顽皮好奇；鲸鱼成形时轻柔渐强，最后保持无重量感的和弦，不模仿任何现有旋律。

Промпт на английском

Create a 15-second, 9:16 live-action and hand-drawn doodle composite in one uninterrupted handheld smartphone take at a rain-wet harbor alley during blue hour. Keep the photoreal world unchanged: a natural right hand in a dark navy rain sleeve, paint-stained fingertips, a small cream pocket sketchbook, short cobalt wax pencil, thin wrist cord, wet reflections, crates, bicycles, pedestrians, rooftops and harbor lamps. Use imperfect cobalt-blue pencil lines with variable pressure, doubled contours, open gaps, loose hatching, subtle line boil and flat transparent color; never polished digital stickers. 0-3s: close POV while walking as the hand visibly draws a tiny sailboat in real time, including hesitant curves, corrections, graphite crumbs and pressure changes. The finished boat wiggles over the page edge and slides toward the ground. 3-6s: the camera dips to knee height; the doodle boat lands in a shallow curb stream, making a real circular ripple. Wave lines unspool behind it as it passes beneath a fishing crate, correctly occluded by the crate and pedestrians’ legs. 6-9s: a passerby’s boot splashes through the water; the doodle bends with the ripple, smears across wet asphalt and breaks into rough fragments, then each missing section redraws stroke by stroke while moving. 9-12s: the boat enters a wide puddle reflecting the sky. A single line from its mast rapidly sketches a huge loose whale outline across the reflection. The whale rises like flexible living ink, passing behind a parked bicycle and in front of distant lights with accurate depth and occlusion. 12-15s: tilt upward as the flat doodle whale swims between photoreal rooftops; its tail makes real hanging tarps flutter and disturbs puddles below. It exhales tiny scribbled fish, then holds as a trembling unfinished drawing while the alley continues moving. Use walking bounce, arm sway, delayed autofocus, exposure breathing, raindrops on the lens and subtle rolling-shutter distortion, maintaining one coherent camera path. Cool blue-hour light and warm harbor lamps come from one consistent direction. Keep doodles flat and unlit but grounded with perspective, parallax, contact, reflections, occlusion and water distortion. No cuts, transitions or time jumps; every doodle originates from a visible pencil stroke or existing line, and real objects remain unchanged. Audio: light rain, harbor water, distant gulls, footsteps, wax-pencil scraping, paper friction, a sharp boot splash, wet ink smears and a deep papery whoosh as the whale rises. Add an original sparse 15-second cue with muted marimba, soft plucked strings and a warm airy pad: quiet wonder and playful curiosity, gentle swell as the whale forms, weightless final chord; do not imitate any existing melody.

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