Закрой дверь

Промпт на английском

subject_definitions: <Subject 1> is the young woman in <Picture 1>: late twenties, a full figure, long straight black hair parted off-centre and falling loose past her shoulders, a soft oval face with a calm direct gaze, natural lips, lightly defined brows. She wears a white fine-ribbed off-shoulder camisole pulled down off her right shoulder, and high-waisted black leggings. In the reference picture she is standing at the bedside with her back three-quarters to the lens and her upper body twisted back over her shoulder, her right palm resting flat on the edge of the open door. Her body moves in small unfinished adjustments rather than posed beats, her weight keeps shifting off her standing foot, and her gaze keeps travelling over what is in front of her and coming back. <Subject 2> is the dim hotel-style bedroom in <Picture 1>: a tall window at the right in a pale beige sheer curtain with a heavier beige drape, cool daylight coming through it, a dark wood nightstand with a glass of water, a black phone face-up and a small orange object, a low bed with a white duvet and a grey-blue pillow, and navy and grey clothes tumbled across the mattress. The view is framed by dark wood door posts on both sides of the foreground, the right one carrying a bright metal door latch, both posts heavily out of focus. The far wall is plain and cool grey. summary: [reference generation] A 15-second 9:16 live-action segment built from <Subject 1> and <Subject 2>, in which she is already looking back over her shoulder at whoever is standing in the doorway, lets her weight ease away from the door so that her hand slides off it, half lifts her left hand and does not follow through, says two words, and settles into a loose stance without ever finishing the movement. retention_analysis: <Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3], [Shot 4]): fully_preserved - her long black hair, off-shoulder white ribbed camisole, black leggings, and the twisted-back posture of the reference picture are retained. <Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3], [Shot 4]): partially_preserved - the pale-curtained window and its cool daylight, the dark nightstand with its glass and objects, the white duvet and the tumbled navy and grey clothes are retained, while the blurred door posts frame only the opening shot and the camera then works inside the room. detailed_description: Live-action, cinematic, soft available daylight from the right window, a dim cool interior with warm shadow in the corners, shallow depth of field and gentle film grain, all four shots held on a static camera, no reframing and no speed ramps. The body behaves the way a body behaves when it does not know it is being filmed: weight never fully settles, small corrections happen mid-gesture, and nothing arrives exactly on the beat it was heading for. [Shot 1] A medium shot from the doorway, the blurred dark door post and the metal latch soft along the right edge, <Subject 1> already at the bedside with her back three-quarters to the lens and her upper body twisted back over her shoulder, her right palm flat on the open door, her left arm hanging loose with the back of her hand against her hip. Her weight is still finding its place, rolling slowly from her standing foot onto the foot nearer the bed, and her eyes come to the doorway a moment before her head finishes turning. [Shot 2] At 00:04.000, the camera cuts to a medium close shot from behind her right shoulder, angled onto her turned face, the window bled soft and bright behind her hair. Her weight is easing off the door and her right hand is sliding off the edge with it, two fingers catching the frame and letting go a beat later than they need to. Her left arm starts to come up across her body and then simply does not continue, dropping back against her hip. Her gaze goes from the door frame to whoever is standing in it and back once, unhurried, one slow blink in the middle of it. [Shot 3] At 00:07.500, the camera cuts to a medium close shot from the front left, her body still angled away from it and the nightstand gone to a soft dark shape. Something loosens around her mouth at the corner, closer to a private reaction than to a smile, and it is already fading as she says, <d>[Chinese] 门关上。</d> low and short, the last word dropping rather than rising, her chin moving only as much as speaking needs. [Shot 4] At 00:11.500, the camera cuts to a medium close shot from a higher angle over her shoulder toward the doorway, the room behind her falling out of focus. Her chin is already tilted a little toward that room and it eases a fraction further, a movement so small it could be read as settling; her thumb drags once along the fabric at her hip and stops there. Her eyes stay on the doorway without chasing it, one more slow blink, her chest rising and falling normally through the last of the shot. overall_soundscape: A quiet interior with the soft muffled street behind the curtained window and a low hum of the building. The floorboards tick once as her weight moves across them, the door frame gives a faint dry creak as her hand leaves it, a short breath is taken in just before she speaks, and the camisole whispers against her arm as she settles at the end. non_diegetic_music: A sparse low string pad, one held note under the whole shot, thinning to almost nothing after she speaks and leaving only room tone in the last two seconds. Negative prompt: subtitles, captions, text, words, letters, descriptions, labels, annotations, watermark, signature, writing on screen