OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
Minimal line-pressure book poster experiment
A reusable 16:9 minimalist typography-and-form poster recipe with editable subject and purpose text, using downward line pressure, generous white space, a heavy lower glyph form, sparse archive annotations, and clean Eastern negative-space principles.
提示词 / Prompt
中文提示词
创作一张16:9极简图形海报，用于 Book poster，主题为 Dream of the Red Chamber。构建大面积高明度、洁净的负空间。从上方边缘向画面内部垂落大量纤细均匀的线条，带轻微手绘停顿；线群保持清晰间距，形成根系、光束或数据流般的方向压力。中部保留通风感很强的空白，只放少量断线、短划和微小符号作为呼吸点。下部设计一个由 Dream of the Red Chamber 的名称和核心视觉信号派生的巨大沉重字形主形体；将笔画拉长、拆分、弯折，使其与下垂线群连接并产生回声，同时兼具文字和图形装置感。顶部加入短小英文标题，底部加入细小说明文字，字号层级明显，信息稀疏，像设计档案标注。根据主题的材质、情绪和文化信号提取色彩，使用高明度洁净底色、少量结构色和极少强调色。深色只承担线条、文字和结构骨架，饱和度受控、边界利落，整体明亮、清透、冷静而精确。结合东方留白观念与字体设计实验，不用复杂插画填满画面。不要杂乱、脏旧污渍、烟熏灰黄、复古污痕、logo、水印或无关图像。
English prompt
Create a 16:9 minimalist graphic poster for Book poster based on the subject Dream of the Red Chamber. Build a large, bright, clean field of negative space. From the upper edges, let many slender uniform lines descend inward with slight hand-drawn pauses; maintain clear spacing so the line groups create directional pressure like roots, light beams, or data streams. Keep the middle airy, with only a few broken lines, short strokes, and tiny symbols as breathing points. In the lower section, create a large heavy glyph-based form derived from the name and core visual signals of Dream of the Red Chamber; elongate, split, and bend its strokes so it connects with and echoes the falling lines, reading both as typography and a graphic installation. Add a short English title at the top and tiny explanatory text at the bottom, with stark scale hierarchy and sparse design-archive annotations. Extract colors from the subject's material, emotion, and cultural signals, using a high-brightness clean background, a few structural colors, and very few accents. Let dark tones carry only lines, text, and structural skeletons; keep saturation controlled, edges sharp, and the mood bright, clear, calm, and precise. Use Eastern negative-space principles and font-design experimentation rather than complex illustration. No clutter, dirty stains, smoky gray-yellow cast, retro grime, logos, watermark, or unrelated imagery.
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