OpenZhenZhen AI 提示词画廊 · MiniMax H3 · video
夏日粉笔幻影：冰箱里的北极熊
Summer Chalk Mirage: Polar Bear in the Fridge
15秒、16:9、完全不断剪的单镜头。以男孩眼睛高度的第一人称视角，在炎热夏日下午穿过日本乡村老屋；实拍部分必须是写实摄影质感：褪色的襖和障子、榻榻米、干燥木柱、矮桌、蚊香、老式显像管电视、摇头风扇、壁挂空调，以及厨房里的旧白色冰箱。采用1990年代家用胶片风格：褪夏色、柔和颗粒、轻微色散、略微过曝、热浪和自然手持抖动。镜头从和室走向厨房，略微延迟地跟随动画。无剪切、转场、瞬移、字幕、文字、标志、水印、背景音乐、旁白或对白。 所有海豹、企鹅和北极熊都只能是粗糙粉笔轮廓线：白色、浅蓝色和深蓝色，偶尔有微小黄色或粉色点缀；线条粗细不均、断裂、掉粉，并逐帧重画。它们的身体在每一帧都完全透明，能透过
提示词 / Prompt
中文提示词
15秒、16:9、完全不断剪的单镜头。以男孩眼睛高度的第一人称视角，在炎热夏日下午穿过日本乡村老屋；实拍部分必须是写实摄影质感：褪色的襖和障子、榻榻米、干燥木柱、矮桌、蚊香、老式显像管电视、摇头风扇、壁挂空调，以及厨房里的旧白色冰箱。采用1990年代家用胶片风格：褪夏色、柔和颗粒、轻微色散、略微过曝、热浪和自然手持抖动。镜头从和室走向厨房，略微延迟地跟随动画。无剪切、转场、瞬移、字幕、文字、标志、水印、背景音乐、旁白或对白。 所有海豹、企鹅和北极熊都只能是粗糙粉笔轮廓线：白色、浅蓝色和深蓝色，偶尔有微小黄色或粉色点缀；线条粗细不均、断裂、掉粉，并逐帧重画。它们的身体在每一帧都完全透明，能透过身体看到真实房间、家具、冰箱、搁板和食物。绝不填充白色、蓝色或黑色，不加阴影、毛发或立体感，不做不透明剪影、赛璐璐涂色、写实动物或3D CGI。用鱼、气泡、雪花、冰屑、星星、螺旋、波纹、冷风丝带和速度线等大量线稿制造热闹感，同时保持真实房间清晰可见。 0–4秒：写实老风扇在榻榻米上摇头。白蓝粉笔冷风涡流喷出、连接并变形成大型透明轮廓海豹。海豹开心地在镜头周围游动一圈，身体扭动并留下粉笔残影，周围跟随小鱼、气泡、星星、冰粒和波纹。镜头稍慢地追随并向空调方向大幅摇摄。 4–8秒：海豹掠过空调时，强劲的粉笔冷气变形成五只透明轮廓企鹅。前景一只较大，中景三只，后景一只较小，位置、高度和速度各不相同。一只旋转，两只交叉，一只钻过矮桌下方，一只从镜头旁快速掠过。雪花、气泡、鱼、冷风丝带和速度线环绕；风铃、门帘和蚊香烟雾随风摆动。镜头跟随它们穿过襖门进入厨房。 8–10秒：企鹅和海豹围绕旧白冰箱盘旋，交替从冰箱前后经过，保持正确遮挡和空间深度。蓝色粉笔箭头、雪花和鱼的轮廓聚向把手。镜头在冰箱正面停下。10秒前绝不出现男孩的手、手臂、脸或身体。 10–12秒：首次出现男孩写实的晒黑右前臂和右手，仅从画面下方伸入。显示五根自然手指正确握住冰箱把手。他将门向镜头方向拉开，POV随门的重量略微倾斜。不得出现脸、左手、躯干或双腿，冰箱不得自动打开。 12–15秒：冰箱的冷蓝光照亮写实厨房和男孩的手。冰箱内坐着透明粉笔轮廓北极熊，身体可透视后方搁板和食物。前方玻璃碗中的刨冰用密集、闪亮的鲜艳青蓝粉笔线多层描绘。开始时北极熊低头用勺子吃刨冰；开门声使勺子停在半空，短暂停顿后它慢慢抬头，直视镜头，嘴边留有一小段浅蓝刨冰痕迹。海豹和五只企鹅同时从冰箱周围探头，雪花、鱼、气泡、星星、螺旋和冷风丝带充满画面，但始终是细薄透明线稿。男孩的手保持握住把手。冷白空气流向镜头，在恰好15秒时使画面边缘轻微起雾。 若有声音，只保留远处蝉鸣、风扇马达、风铃、榻榻米脚步、衣物摩擦、空调声、冰箱门和内部机械声、粉笔划线声、冷风、气泡、水花、冰块轻碰声，以及结尾勺子碰玻璃的细小声音；无音乐、旁白或对白。
English prompt
15-second, 16:9, single uninterrupted photorealistic live-action POV shot from a boy’s eye level in a nostalgic rural Japanese house during a hot summer afternoon. The live-action room is photorealistic: faded fusuma and shoji, tatami, dry wooden posts, low table, mosquito coil, CRT television, oscillating fan, wall air conditioner, and an old white refrigerator in the kitchen. Use a 1990s home-film look with faded summer colors, soft grain, slight color bleed, mild highlights, heat haze, and natural handheld sway. The boy walks from the tatami room toward the kitchen; the camera follows the animation with a slight delay. No cuts, transitions, teleportation, subtitles, text, logos, watermarks, BGM, narration, or dialogue. All seals, penguins, and polar bears are rough chalk outline drawings only: white, pale blue, and dark-blue lines with occasional tiny yellow or pink accents, uneven thickness, breaks, powder falloff, and frame-by-frame redraws. Their bodies remain completely transparent at every frame, showing the real room, furniture, refrigerator, shelves, and food through them. Never fill them with white, blue, black, shading, fur, volume, opaque silhouettes, cel paint, photoreal animals, or 3D CGI. Add lively surrounding line drawings—fish, bubbles, snowflakes, ice chips, stars, spirals, waves, cold-air ribbons, and speed lines—in foreground, middle ground, and background while keeping the real room visible. 0–4s: A photoreal old fan oscillates on the tatami. White and blue chalk cold-air swirls emerge, connect, and morph into a large transparent outline seal. It swims playfully around the camera once, twisting with chalk afterimages, followed by small fish, bubbles, stars, ice particles, and waves. The camera pans toward the air conditioner while following slightly behind. 4–8s: As the seal crosses the air conditioner, forceful chalk cold air streams morph into five transparent outline penguins. Arrange one large in front, three in the middle distance, and one small in back, at varied heights and speeds. One spins, two cross paths, one dives under the low table, and one passes close beside the camera. Snowflakes, bubbles, fish, cold-air ribbons, and speed lines swirl around them; the wind chime, noren, and mosquito-coil smoke move in the breeze. The camera follows through the fusuma toward the kitchen. 8–10s: The penguins and seal circle the old white refrigerator, alternately passing in front of and behind it with correct depth and occlusion. Blue chalk arrows, snowflakes, and fish gather toward the handle. The camera stops facing the refrigerator. No boy’s hand, arm, face, or body is visible before 10 seconds. 10–12s: For the first time, only the boy’s photorealistic tanned right forearm and hand enter from the bottom. Show five natural fingers gripping the refrigerator handle correctly. He pulls the door open toward the camera; the POV tilts slightly with the door’s weight. Do not show his face, left hand, torso, or legs. The refrigerator must not open by itself. 12–15s: Cool bluish refrigerator light illuminates the photorealistic kitchen and the boy’s hand. Inside sits a transparent chalk-outline polar bear, with shelves and food visible through its body. In front of it is a glass bowl of shaved ice rendered with dense, sparkling layers of vivid cyan and blue chalk lines. At first the bear looks down and eats with a spoon. When the door opens, the spoon pauses; after a brief stillness, the bear slowly raises its head and looks directly into the camera, with a small pale-blue shaved-ice mark at its mouth. The seal and five penguins peek around the refrigerator together as snowflakes, fish, bubbles, stars, spirals, and cold-air ribbons burst across the frame, all remaining thin transparent line art. The boy’s hand stays on the handle. Cold white air flows toward the lens and lightly fogs the frame edges at exactly 15 seconds. Audio, if present: only distant cicadas, fan motor, wind chime, tatami footsteps, cloth rustle, air-conditioner hum, refrigerator door and internal sounds, chalk strokes, cool-air, bubbles, splashes, ice clicks, and a small spoon-on-glass sound at the end; no music, narration, or dialogue.
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