Seedance 2.5: 여성 테마를 완벽하게 담아내다

영어 프롬프트

Overall description [Character] A female protagonist. Her appearance, costume, and silhouette must strictly match the female protagonist reference. She is a dark new-Chinese-style xianxia swordswoman with long hair, wide-sleeved robes, and a broad flowing skirt. She is always backlit by a huge full moon, remaining a dark silhouette with no brightly lit frontal face. Do not change the costume color or silhouette. [Setting] Moonlit celestial palace, dark wooden walkways, dark tiled rooftops, hanging white curtains, reflective ground, sea of clouds, deep night sky, and a huge full moon. The setting consists of ancient Chinese-style palace architecture, giant vermilion columns, golden dougong brackets, upturned eaves, and suspended white drapery. A deep-blue sea of clouds and starry sky are visible in the distance. [Visual style] 24fps, 8K ultra-high-definition, photorealistic next-generation 3D CG rendering, PBR physical materials, Lumen global illumination, volumetric lighting, dynamic motion blur, natural depth of field, cinematic high-contrast lighting, clean image with no noise. Premium new-Chinese xianxia aesthetic, UE5 cinematic rendering, cool blue moonlit ambient light contrasted against warm golden sparks, golden dark patterns, and sword-energy particles. Large areas of shadow, minimalist negative space, expressive ink-wash texture, cinematic 2.39:1 widescreen frame. Epic, cold, solitary, ethereal, and intensely exhilarating. [Core visual effects] Black ink, golden fire, cyan-white sword energy, golden ember particles, fluid ink trailing, circular energy trajectories, crescent-shaped sword energy, and ink shockwaves. The fluid light trails contain fine floating debris and star-like particles, with soft glowing edges. Their motion remains smooth, continuous, and free of broken trailing artifacts. All destruction follows physical feedback: curtains torn by sword energy produce irregular frayed edges and fragments; wooden planks crack and splinter; ink and water spread outward after impact. [Most important camera rules] A 30-second single take with only one camera. Absolutely no cuts, hard cuts, white flashes, black frames, jump transitions, teleportation, or reframing. All changes in framing and camera angle are completed through continuous movement by the same camera. Foreground white drapery, ink, water, and high-speed particles may only act as occlusion transitions within the same shot. When the occlusion ends, the camera must remain in the same time, motion direction, and spatial position. Camera movement is silky and steady, with subtle realistic impact vibrations at each footstep, landing, sword swing, and strike point. No random shake or loss of visual control. Storyboard prompt Shot 1: Complete single-take xianxia sword dance, 0s-30s 0s-2.5s: Distant opening, slow push-in A wide low-angle horizontal shot. The camera begins about 20 meters behind the female protagonist, slowly pushing forward along the centerline of a dark wooden walkway. She faces away from the camera beneath a huge full moon, tiny as a speck of dust, her dark silhouette sharply outlined by moonlight. She begins walking forward very slowly, arms naturally at her sides, then gradually tightens her right hand around a longsword. Her long hair and wide sleeves blow backward in the night wind; her white skirt floats slowly in a slightly low-gravity atmosphere. Each step lands about 1.5 seconds apart. The camera has approximately two pixels of vertical bounce and an extremely slight side-to-side shift, creating a realistic handheld-following feeling. The reflective ground beneath her mirrors the full moon, her silhouette, and blurred reflections of distant golden palace structures. White hanging curtains sway slowly in the distance. The space is quiet, with only wind, moving mist, and the sound of fabric rubbing. 2.5s-5s: Forward lean, rapid sprint to the right The same continuous camera path smoothly shifts from directly behind her toward her right-front side while accelerating forward. She suddenly leans forward, lowers her center of gravity, and sprints at high speed toward the right side of the frame. Her right foot strikes the ground hard, creating fine cracks and splinters in the wooden planks. Her blue-black robe, long hair, and wide sleeves are violently pulled backward by acceleration. Her white skirt leaves a long mixed trail of golden fire and black ink, skimming over the reflective ground and leaving a clear reflection. The camera develops subtle dynamic vibration in response to her acceleration, while she remains sharp and the background architecture gains strong motion parallax. 5s-7.5s: High-speed sword swing, tearing the first white curtain She charges toward a huge white hanging curtain in the right foreground. The camera stays at her right-front side, matching her speed in a side-front tracking shot, lowered slightly for a medium low-angle view. Without stopping her sprint, she draws her sword and completes one broad horizontal slash from back to front. The sword cuts through the air and releases a cyan-white sword-energy arc edged with gold. The sword energy strikes the white curtain. The fabric first dents inward, then tears outward from the point of impact. It produces irregular frayed edges, scattered threads, and many fragments. White fabric scraps are pulled toward the lens by the airflow, creating natural foreground occlusion. The camera does not cut and continues following her through the dispersing fragments. 7.5s-10s: Midair rotation, circular sword energy forms After passing through the white fabric debris, the camera continues moving toward the right-front and performs a smooth, small-radius orbit around her without abruptly changing direction. Using the momentum of her sprint, she leaps into the air. Both feet leave the walkway as her body spins rapidly around its vertical axis. She first pulls in her arms, then extends her wide sleeves with the rotation. Her black hair forms an elegant arc and her skirt blooms outward like ink-wash petals. The sword continuously moves with her body, forming a huge circular energy trajectory in front of her, interwoven with gold-white and cyan light. Inside the ring are ink diffusion, golden sparks, fine floating particles, and soft glowing edges. The circular sword energy sweeps over the ground, creating a bright circular reflection on the reflective surface below. 10s-12.5s: Rising before the moon, continuous crescent sword-energy strikes The camera naturally rises with her rotation, shifting from a medium shot into a wide low-angle view. She forms a dark silhouette before the huge full moon. Crisp rim light outlines her hair, sword blade, and skirt in cold blue moonlight. Holding the sword with both hands, she performs three violent continuous sword swings in midair: First, a horizontal slash releases a cyan-white crescent-shaped sword energy arc. Second, an upward diagonal slash tears through mist with its rising energy trail. Third, a turning backhand slash releases a larger gold-and-cyan interwoven sword arc. There can be no pause between the attacks. Her body rotation, shoulder force, waist twist, sleeve delay, and sword-energy release must form one complete causal chain. The energy passes beside her body, carrying black ink and golden sparks. 12.5s-15s: Sword energy cuts through space, camera follows the attack path The camera briefly locks onto the sword tip, then rapidly pushes forward along the direction of the sword energy while remaining spatially connected to her. The energy cuts through several white hanging curtains ahead, slicing them in sequence and creating a shattered corridor from foreground into the distance. White fabric fragments, gray ink, golden sparks, and cyan-white sword energy fly across the lens in intersecting paths, creating strong radial motion blur. The image can be briefly occluded by fast-moving debris, but it must never become a black frame or a cut. The camera rediscovers her silhouette through openings in the debris. 15s-18s: Diving close, downward sword strike She draws the sword back in midair to gather power, then rapidly flips downward. From directly in front and below her, the camera quickly rises toward her and then dives downward in sync with her falling path, creating a close diving push-in and small-radius orbit. Holding the sword in both hands, its blade gathers intense blue-white flame. She completes one heavy downward strike. The air around the impact point compresses into visible circular shock patterns, while the full moon's rim light passes from behind her to create an extremely strong black silhouette. The sword energy strikes the dark wooden walkway. Mist is instantly pushed away by the shockwave, forming a brief low-pressure vacuum while surrounding water vapor bursts outward. 18s-21s: Landing impact, eruption of ink and water The camera continues descending with her, shifting slightly to the side just before she lands so both the character and impact point remain fully visible. She lands heavily on the dark wooden walkway, bending one knee slightly, with the sword embedded in the ground or angled forward. The impact cracks the wooden planks outward from beneath her feet. Wood splinters, stone fragments, and droplets spray along the cracks. At the same time, enormous white waves and black ink surge upward from both sides of her body, forming exaggerated arcing waves. The waves contain fragments of golden firelight and cyan sword-energy particles, curling outward on both sides while preserving her dark silhouette at the center. The camera receives one short impact vibration, then immediately returns to smooth tracking. No freeze frame. 21s-23s: Ink occlusion transition, continuous entry into the second spatial layer The water and ink rush toward the lens. White, gray, and black fluid gradually covers the frame. The camera maintains an upward tilt and slight backward movement, using this fluid occlusion to create a spatial transition within the same continuous shot. During the occlusion, floating debris, star-like particles, and golden light flecks are visible inside the ink. The fluid edges have soft glowing halos. Do not use hard cuts, white flashes, or a full black screen. As the ink disperses upward, the camera reveals her back as she launches upward from the ground. 23s-25.5s: Rising again, passing through multiple white curtains The camera naturally rises out of the ink into a medium low-angle view. She steps on the remaining ink shockwave and launches upward at a diagonal angle. She drags intense golden fire and black ink trails behind her, passing continuously through several vertically hanging white curtains. At each crossing, the curtains are first pushed backward by airflow, then torn into irregular fragments by sword energy. Fabric pieces, threads, debris, and sparks scatter in the direction of her movement, creating believable layers of speed. The camera performs a continuous upward tilt and slight half-orbit behind her, never changing its relationship to the subject. 25.5s-27.5s: Midair turn, continuous circular energy slashes She turns lightly between the curtains, changing from diagonal upward flight to horizontal lateral motion. The camera follows her turn in a continuous circular orbit, keeping her centered in frame. The sword draws several bright cyan circular energy trajectories in front of her. The rings overlap but never intersect unrealistically. Each sword swing produces a brief metallic sword resonance, compressed airflow, and scattered particles. The full moon remains visible in the background. Her black silhouette contrasts sharply with the cyan-white sword energy, while black ink rotates around her body like ribbons. 27.5s-29s: Vertical dive, piercing through the rooftop space The camera suddenly follows her downward dive without changing camera position through a cut. It drops from her rear-side to a diagonal lower position, surrounded by strong white and gray radial speed lines. Holding the sword with both hands pointed downward, she falls vertically at extremely high speed. The sword tip leaves a cyan-white flaming trail. Surrounding ink and golden fire are pulled into long thin lines by the airflow. Dynamic motion blur intensifies, but her core silhouette and sword-tip direction remain clear. 29s-30s: Rooftop lateral move and continuous ending composition In the final second, she pierces through ink and fabric debris, lands on a slanted dark tiled roof, and immediately slides at high speed toward the right. The camera tracks laterally to the right, maintaining a low-angle side view. She completes a powerful but natural attack-ending pose: body leaning forward, sword extended to the right, black hair, wide sleeves, and skirt violently streaming behind her. The edge of her skirt continues to burn with golden fire. The sword tip suddenly releases one final radial white ink shockwave that expands into the depth of the frame. Using the reaction force of the shockwave, the camera slowly pulls back and rises, returning to the opening wide composition: she becomes a dark silhouette before the full moon again, the sword tip flashes white, and her hair and skirt dissolve into black ink and golden-fire particles, leaving an extended reflection across the reflective ground. Single-take continuity constraints The entire 30 seconds consists of only one continuous camera movement, with no cuts. All wide shots, medium shots, close-ups, top-down angles, low angles, orbits, push-ins, and pullbacks must be created by real movement from the same camera. Her sprint, leap, rotation, sword swings, dive, landing, second ascent, and rooftop run must all connect through believable inertia. White curtains, ink, water, and particles only serve as occlusion or spatial transitions within the same shot. Before and after every occlusion, maintain the same time, spatial direction, character costume, and lighting relationship. Do not use fast cuts, extremely short transition shots, instant freeze frames, sudden transformations, or instantaneous location changes that break the single-take illusion. Brief motion blur and foreground occlusion are allowed, but they must never create black frames, white flashes, or hidden cuts. Prohibit malformed limbs, extra arms, disappearing sword blades, cloth clipping, duplicated characters, deformed architecture, flat ink textures, image flicker, color overexposure, subtitles, watermarks, and circular energy fields.