OpenZhenZhen AI 프롬프트 갤러리 · MiniMax H3 · video
새 옷을 외면한 후 침실의 반전
Bedroom Reversal After the Neglected New Clothes
‘새 옷을 외면한 후 침실의 반전’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
프롬프트
중국어 프롬프트
生成一段15秒、16:9的写实情侣日常反转喜剧，场景为酒店式卧室。使用提供的身份参考图确定成年女性的面容、发型、肤色、年龄感和身材比例。她全程穿着同一套淡薰衣草紫色轻薄半透明雪纺长袍，带低调紫色花卉印花、宽大飘逸长袖、深V交叠后背、多层黑色腰封及中央小型银色花饰和短流苏、同色内层裹身衣、垂至脚踝附近的半透明裙片，以及紫色细带平底凉鞋。服装保持完整、安全且前后一致。成年男性全程保持外貌一致。固定手机机位设在床尾左前方，以自然广角拍摄卧室全景；镜头不移动。暖色床头灯与柔和天花板灯带照明，呈现真实肤质、发丝、布料、床垫和床品，并带克制的手机视频质感。 开场时，男士穿黑色无袖上衣和蓝灰色长裤，靠坐在床头右侧，专注看着黑色手机。床上放着一条灰紫色丝缎迷你短裙：细肩带、自然垂坠领口、修身腰胯和短裙摆。女士从画面左侧进入，在床尾左侧停下，期待他有所反应。他几乎没有注意到她。她受控地向前扑到床上，身体短暂压住部分短裙；双腿随自然惯性扬起，凉鞋不脱落。床垫下陷，白色被子起皱。她起身，以冷静、优雅又略显不耐的神情看他，随后受控地向后倒在床上；双腿自然抬起再落下，床垫再次下陷。她坐起、站立，发现他仍专注于手机。她抓住短裙领口和一根肩带将其提起，让裙子自然垂下，再将裙子抖开一次并抛向他的胸口。他终于抬头，神情疑惑。 恰在10.23秒进行全片唯一一次突然硬切：切至相同机位和人物位置，男士已穿上同一条灰紫色丝缎迷你短裙，身份保持不变。不展示换装过程。女士仍穿薰衣草紫长袍，转身从前景经过并向右离开画面。他低头看裙子，把手机放在身旁，转为跪坐在床上，认真而小幅地调整裙子上缘或肩带。他望向她离开的方向，再面向镜头露出困惑、木讷的表情。结尾时，他跪坐在凌乱的白床上，手机在身旁，仍穿着短裙；女士已离场。 动作保持符合物理规律，服装和道具前后一致，表情克制：她从期待转为疑惑、冷感不耐和安静恼火；他从沉迷手机转为迟钝困惑、认真调整。无对白、说话口型、音乐、旁白、字幕、标题、贴纸、水印、界面或音效。不得添加其他切镜、转场或特效；不得出现额外人物、身份变化、重复道具、服装混淆、衣着意外暴露、畸形身体或夸张表演。
영어 프롬프트
Generate a 15-second, 16:9 photorealistic relationship-comedy video in a single hotel-style bedroom. Use the supplied identity reference image for the adult woman’s face, hairstyle, skin tone, age appearance, and body proportions. She wears the same pale lavender, lightly sheer chiffon robe throughout, with subtle purple floral print, wide flowing sleeves, a deep V crossover back, layered black waist sash with a small silver floral ornament and short tassel, matching inner wrap, sheer ankle-length skirt panels, and purple strappy flats. Keep her clothing secure and unchanged. The adult man has consistent appearance throughout. A fixed phone camera at the front-left foot of the bed frames the full room in a natural wide view; no camera movement. Warm bedside lamp and soft ceiling strip light, realistic skin, hair, fabric, mattress and bedding, with restrained phone-video texture. At the start, the man sits against the right side of the headboard, absorbed in his black phone, wearing a black sleeveless shirt and blue-gray trousers. A single gray-lilac satin mini dress lies on the bed: thin straps, softly draped neckline, fitted waist and hips, short hem. The woman enters from the left, pauses at the foot-left side of the bed, and looks to him for a reaction. He barely notices. She carefully pitches herself forward onto the bed, briefly pressing part of the dress; her legs lift with natural momentum, sandals staying on. The mattress compresses and the white duvet wrinkles. She gets up, gives him a cool, poised, slightly impatient look, then leans back onto the bed with controlled motion; her legs rise and lower naturally as the mattress compresses again. She sits up, stands, and sees that he is still focused on his phone. She picks up the satin dress by its neckline and one strap, lets it hang, then flicks it open once and tosses it toward his chest. He finally looks up, puzzled. At exactly 10.23 seconds, make the only edit: a sudden hard cut to the same framing and positions, with the man now wearing that same gray-lilac satin mini dress over his unchanged identity. Do not show how he changed. The woman, still in her lavender robe, turns away and walks past the foreground out at the right. He looks down at the dress, sets his phone beside him, shifts to kneeling on the bed, and makes a small, earnest adjustment to the dress’s upper edge or straps. He glances toward where she left, then faces the camera with a baffled, deadpan expression. End with him kneeling on the rumpled white bed, phone beside him, still wearing the dress; the woman is gone. Keep actions physically plausible, clothing and props consistent, and expressions understated: her expectation turns to confusion, cool impatience, and quiet annoyance; his distraction turns to delayed confusion and earnest adjustment. No dialogue, speech movements, music, narration, captions, titles, stickers, watermark, interface, or sound effects. No additional cuts or transitions, no effects, no extra people, identity changes, duplicated props, wardrobe blending, revealing wardrobe slips, malformed anatomy, or exaggerated acting.
주제 및 스타일
더 많은 이미지·동영상 프롬프트 보기 · 이미지 생성 · 동영상 생성 · AI 캔버스에서 만들기
관련 작품
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‘벚꽃나무 아래의 따뜻한 재회’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 부조리한 왕관을 쓴 카우보이 초상화
‘부조리한 왕관을 쓴 카우보이 초상화’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 아이슬란드 왕관 낚시꾼
‘아이슬란드 왕관 낚시꾼’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
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‘붉은 입술과 검은 머리의 초상’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 바람 속 깃털 장식 부족 여족장
‘바람 속 깃털 장식 부족 여족장’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 해안 도로 스케이트 여행
‘해안 도로 스케이트 여행’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.