OpenZhenZhen AI 프롬프트 갤러리 · MiniMax H3 · video
검은 실루엣: 비 오는 밤의 추격
Black Silhouette: Rainy Night Chase
‘검은 실루엣: 비 오는 밤의 추격’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
프롬프트
중국어 프롬프트
制作一部15秒、16:9画幅的硬派黑色电影风格动漫剪影动态图形短片，剪辑严格与拟音同步。仅使用纯黑、白色、钴蓝和酸黄色，采用清晰赛璐璐轮廓、纸张纹理、机械遮罩、海报化逐帧、轨道遮罩、果断的定格姿势、剪影回声、方向模糊、冲击帧、反向运动和硬遮挡。禁止文字、标志、招牌、车牌、字幕、水印、渐变、写实、霓虹光、HUD、镜头光晕、血液、肢解、重复肢体、变形或无关装饰动作。 0:00-0:01.50：黑场静默开始。打火机滚轮咔哒一声画出白线；酸黄色火焰显出成年风衣侦探的清晰剪影侧脸。他合上打火机，火焰变成黄色矩形并啪地闭合。 0:01.50-0:03.80：四次孤立脚步在侦探居中的剪影下依次搭建城市：路面、路灯、消防梯和高架铁路。第五步时他停下；背景短暂滑动后伴随刹车声锁定。一道钴蓝阴影脱离并冲入小巷。 0:03.80-0:06.20：特写戴手套的手拆解手枪，不开火、不瞄准目标。弹匣释放、拉套筒、弹簧弹出和一枚空弹壳落下形成四个打击点，并分别触发遮罩、圆形和面板变化。跟随弹壳下落并弹跳三次；每次弹跳生成白环并加入一层音乐。 0:06.20-0:09.00：第三次弹跳变成闭合雨伞的金属尖端，敲击湿地面。成年纤细女性剪影打开雨伞；她的外貌必须匹配所提供的身份参考图，并保持服装完整。伞骨形成十二个交替的钴蓝与黑色楔形，绕她旋转一周。雨点击与动作同步。她转身，用伞柄挡住来袭棍棒，勾住攻击者手腕并将其引向身侧。以五个清晰剪影姿势表现五次击打，不出现受伤或血迹。雨伞以真空般的啪声合拢，整个场景压缩成细竖线。 0:09.00-0:11.70：竖线变成地铁车门缝，门内可见戴兜帽的成年奔跑者剪影。两声提示音分别在他周围生成酸黄色方框；第三拍车门打开，他冲刺而出。每一步用硬遮罩在白、钴蓝、黑三种背景间切换。镜头低位贴近鞋子，翻越障碍物时快速上摇。他落地制造两帧白色冲击闪光，随后半拍完全静止并近乎无声。 0:11.70-0:15.00：引擎点火打破静默。一辆黑色轿车侧滑进入，轮胎尖叫画出钴蓝弧线，绕奔跑者漂移，侦探和女性雨伞剪影远处站立。引擎轰鸣、换挡和轮胎抓地形成三次上升重音。最后一次抓地时倒放六帧：雨水上升、弧线回卷、影子归位；随后在整段乐队重击上瞬间正放。0:13.70，侦探在左、女性雨伞角色在中、戴兜帽奔跑者在右，分别站在三束独立灯光下；轿车从他们身后经过，形成一道黑色水平擦除。0:14.60，打火机咔哒合上，灯光从左到右熄灭。严格在0:15.00以纯黑和绝对静默结束。 声音设计：干净近距离立体声拟音，包括打火机、火焰、脚步、刹车、手枪机械声、弹壳弹跳、雨伞敲击、雨声、地铁提示音与车门、奔跑、翻越、落地、点火、引擎、换挡、轮胎尖叫、抓地和最后的打火机声。开头不使用传统音乐；每次弹壳弹跳后依次加入闷音低音提琴、边击鼓和干涩爵士吉他和弦。0:06.20起加入克制的144 BPM黑色爵士碎拍，含低音提琴、刷镲、低音单簧管和稀疏颤音琴，为拟音留出空隙。0:11.70加入完整鼓棒和一段短低音单簧管句；落地静止时全部停止，点火时恢复，最终打火机声时全部音乐停止。禁止人声、大乐队铜管、喜剧摇摆、陷阱、EDM、仿作音乐或环境铺底。每个主要视觉变化必须准确贴合可见声源的瞬态，带短促预备并立即跟随。
영어 프롬프트
Create a 15-second 16:9 hard-boiled anime silhouette motion-graphics film with precise foley-synchronized editing. Use only flat black, white, cobalt blue, and acid yellow, with crisp cel contours, paper texture, mechanical masks, posterized frame stepping, track mattes, decisive pose-to-pose motion, silhouette echo trails, directional blur, impact frames, counter-motion, and hard occlusion. No text, logos, signs, license plates, captions, subtitles, watermark, gradients, photorealism, neon glow, HUD, lens flare, blood, gore, duplicate limbs, morphing, or decorative motion. 0:00-0:01.50: Begin in black silence. A lighter wheel clicks, drawing one white line; an acid-yellow flame reveals the readable profile of an adult trench-coat detective silhouette. He closes the lighter and the flame becomes a yellow rectangle that snaps shut. 0:01.50-0:03.80: Four isolated footsteps build a city beneath the centered detective: pavement, lamp posts, fire escapes, then elevated railway. On the fifth step he stops; background layers slide briefly and lock with a brake sound. A cobalt shadow detaches and races down an alley. 0:03.80-0:06.20: Macro view of a gloved hand disassembling a handgun, with no firing or target. Magazine release, slide pull, spring release, and one empty casing drop create four percussion hits and corresponding mask, circle, and panel changes. Follow the casing as it bounces three times; each bounce creates a white ring and adds one musical layer. 0:06.20-0:09.00: The third bounce becomes the metal tip of a closed umbrella striking wet ground. An adult slim female silhouette, whose appearance must match the supplied identity reference image while keeping her clothing intact, snaps the umbrella open. Its ribs form twelve alternating cobalt and black wedges rotating once around her. Rain ticks in sync. She pivots, blocks an incoming baton with the umbrella shaft, hooks the attacker’s wrist, and redirects him past her. Show five clear silhouette poses, one per impact, with no injury or blood. The umbrella closes with a vacuum snap that compresses the scene into a vertical line. 0:09.00-0:11.70: The line becomes the seam between subway doors. A hooded adult runner silhouette stands inside. Two warning chimes send acid-yellow squares around him; the doors open on the third beat and he sprints. Each footstep swaps the background among white, cobalt, and black using hard mattes. Keep the camera low by his shoes, then whip-pan upward as he vaults a barrier. His landing creates a two-frame white flash, followed by a half-beat freeze and near silence. 0:11.70-0:15.00: Engine ignition breaks the silence. A black coupe enters sideways; tire squeal draws cobalt arcs as it drifts around the runner while the detective and umbrella woman stand far behind. Engine rev, gear change, and tire grip rise in three accents. On the final grip, reverse motion for six frames: rain rises, arcs rewind, and shadows return; then snap forward on one full-band hit. At 0:13.70, show the detective left, the umbrella woman center, and the hooded runner right under three separate pools of light; the coupe passes behind them as one black horizontal wipe. At 0:14.60, the lighter clicks shut, extinguishing the lights from left to right. End exactly at 0:15.00 on pure black and absolute silence. Sound design: dry close stereo foley for lighter, flame, footsteps, brake, handgun mechanisms, casing bounces, umbrella impacts, rain, subway chimes and doors, sprint, vault, landing, ignition, engine, gear shift, tire squeal, tire grip, and final lighter click. Begin without conventional music; after each casing bounce add muted upright bass, rim-click drums, and dry jazz-guitar chord. From 0:06.20 use restrained 144 BPM noir jazz-breakbeat with upright bass, brushed snare, low bass clarinet, and sparse vibraphone, leaving gaps for foley. Add full drumsticks and one short bass-clarinet phrase at 0:11.70; stop for the landing freeze, return on ignition, and stop all music at the final lighter click. No vocals, big-band brass, comedy swing, trap, EDM, copied music, or ambient wash. Every major visual change must contact the exact visible sound transient with brief anticipation and immediate follow-through.
주제 및 스타일
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