OpenZhenZhen AI 프롬프트 갤러리 · MiniMax H3 · video
화산 거품이 헬리콥터를 삼키다
Volcanic Foam Engulfs the Helicopter
‘화산 거품이 헬리콥터를 삼키다’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
프롬프트
중국어 프롬프트
制作一段15秒、9:16竖屏、真人纪实摄影风格的连续手持镜头，全程从直升机内部、靠近打开的侧舱门处拍摄。白天，一名成年男子穿深色户外夹克、长裤和靴子，系着安全带，手持一块光滑的大型粉色长方体肥皂。机舱内可见座椅、固定把手、金属门框和地板；驾驶员留在驾驶舱内。下方是宽阔的火山口，四周岩壁深色粗糙，橙红色岩浆缓慢翻滚。 0–4秒：从机舱内拍摄男子将肥皂抵在门槛上，并用双手向外推出。肥皂重心越过门槛后，他明确松手，随后扶住把手稳住身体并观察。摄影机连续向前倾并向下俯拍，画面始终保留一部分门框；肥皂穿过火山口的纵深向下坠落，落到岩浆上并搅动表面。完整呈现下落过程，不切镜、不跳过距离。 4–9秒：摄影机保持俯拍。肥皂落点先出现细密白色气泡，泡沫逐渐膨胀并覆盖附近岩浆。透明肥皂泡从泡沫中升起，朝直升机飘来；起初零星可见，随后形成具有纵深的密集泡泡群。泡泡大小从葡萄到篮球不等，薄膜表面有反光和微弱虹彩，透过泡膜可看见火山口。泡泡以不同速度飘动、碰撞、变形，偶尔破裂，后方仍有泡泡不断升起。岩浆上的白色泡沫与空中透明泡泡要明显区别。 9–13.5秒：泡泡升至舱门高度，受到直升机周围气流扰动。部分泡泡破裂或飘离，更多泡泡持续从打开的侧舱门涌入。摄影机跟随泡泡向上，并从同一拍摄位置平稳转回机舱。男子握住固定把手，身体略向舱内退，让空着的手抬起遮挡靠近脸部的泡泡。他观察眼前变化，不看镜头、不说话，也不夸张反应。泡泡在座椅间、他的肩膀周围和摄影机附近扩散；泡膜轻轻变形、滑动，破裂后在头发、衣袖和座椅上留下湿润白沫。机舱与男子逐渐被遮挡。 13.5–15秒：保持机舱视角，摄影机只随拍摄者身体轻微后退。泡泡挤满舱门，几乎遮住男子上半身；透过小片间隙，仍可看见他的部分深色袖子和握住把手的手。泡泡继续漂动、挤压并破裂。到15秒直接结束，不定格、不拉远、不添加额外动作。 使用自然日光、真实曝光和色彩，呈现皮肤、衣料、岩石和金属的质感；采用广角纪实构图，并保留旋翼造成的轻微震动和自然手持调整。男子、机舱与唯一一块肥皂全程保持一致。摄影机位置和门框方向须连续一致；不切镜、不转场、不跳时、不慢动作，也不切换到机舱外视角。清楚表现泡泡从岩浆处生成并持续上升，不得凭空出现，也不能变成包裹直升机的单个巨型泡泡。透明泡泡须呈现清晰薄膜，岩浆泡沫由细密白色气泡构成，不得表现成烟雾、棉花或雪。不要字幕、标志或水印。声音未指定；不要添加台词或音乐。
영어 프롬프트
Create a 15-second, 9:16 vertical, photorealistic documentary-style continuous handheld shot, filmed entirely from inside a helicopter near its open side door. In daylight, an adult man wearing a dark outdoor jacket, trousers, boots, and a safety harness holds a single large, smooth pink rectangular soap block. The helicopter cabin has visible seats, handholds, a metal door frame, and floor; the pilot remains in the cockpit. Below is a broad volcanic crater with dark rough rock walls and slowly churning orange-red lava. 0–4s: From inside the cabin, show the man bracing the soap at the threshold and pushing it out with both hands. Once its center of mass passes the threshold, he clearly releases it, then steadies himself on a handhold and watches. The camera leans forward and tilts down continuously, keeping part of the door frame visible as the soap falls through the crater depth and lands on the lava, stirring the surface. Show the descent without a cut or skipped distance. 4–9s: Keep the camera looking down. Fine white bubbles form where the soap lands; the foam steadily swells over the nearby lava. Clear soap bubbles emerge from the foam and rise toward the helicopter, first sparsely, then in a dense, deep cluster. Vary them from grape-sized to basketball-sized; show thin reflective films with faint iridescence and glimpses of the crater through them. Let bubbles drift at different speeds, collide, deform, and occasionally pop as more rise behind them. Keep the white foam on the lava visually distinct from the transparent airborne bubbles. 9–13.5s: Bubbles reach the door height, stirred by airflow around the helicopter. Some pop or drift away while many stream through the open side door. The camera follows them upward and turns smoothly back into the cabin from the same position. The man holds a fixed handhold, shifts slightly inward, and raises his free hand to shield his face from nearby bubbles. He watches the activity without looking at the camera, speaking, or overreacting. Bubbles spread among the seats, around his shoulders, and near the camera; films gently deform and slide, and popped bubbles leave damp white suds on his hair, sleeves, and the seats. The cabin and man become increasingly obscured. 13.5–15s: Hold the cabin view with only slight movement as the camera operator leans back. Bubbles crowd the doorway and nearly obscure the man’s upper body; through small gaps, show part of his dark sleeve and the hand gripping the handle. Bubbles continue to drift, press together, and pop. End directly at 15 seconds, with no freeze, pullback, or extra action. Use natural daylight, realistic exposure and color, visible textures in skin, clothing, rock, and metal, wide-angle documentary framing, and subtle rotor vibration and handheld adjustments. Keep the man, cabin, and single soap block consistent throughout. Make the camera position and door orientation continuous; never cut, transition, time-skip, use slow motion, or switch to an exterior viewpoint. Show bubbles originating at the lava and rising continuously; do not make them appear from nowhere or form one giant bubble around the helicopter. Render transparent bubbles with clear thin films and the lava foam as fine white bubbles, not smoke, cotton, or snow. No captions, logos, or watermarks. Audio is unspecified; do not add dialogue or music.
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‘그네 위의 잠옷 입은 로봇’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 달빛 아래 비 젖은 계류장
‘달빛 아래 비 젖은 계류장’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 자수정 동굴 호수 탐험
‘자수정 동굴 호수 탐험’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 차르의 에나멜 만년필
‘차르의 에나멜 만년필’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 새벽의 물결치는 초원과 먼 마을
‘새벽의 물결치는 초원과 먼 마을’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.
- 수정의 도시
‘수정의 도시’은(는) MiniMax H3로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.