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炎と江南の詞の影

Flames and Jiangnan Verse Shadows

「炎と江南の詞の影」は GPT Image 2.6 を使用した作品です。OpenZhenZhen で元のプロンプトと生成例を確認し、創作の参考にできます。

炎と江南の詞の影 — AI image creation
炎と江南の詞の影

プロンプト

中国語プロンプト

生成一张9:16竖版、高细节、收藏级、史诗叙事感的电影海报，以双重曝光叙事剪影呈现两张交织的侧脸。左侧是轮廓刚硬、破碎、燃烧的神话妖神/斗战者，置于受《黑神话》启发的暗黑神话世界，桀骜、野性、压迫、神秘而具毁灭感；明确作为幻想中的非人神话存在，不描绘现实人物肖像或某个具体游戏角色。右侧是一位明确成年的女性，按已配置的ref-10a-v1身份适配为通用宋代女词人角色；不声称她就是历史上的李清照或任何具名真人。她的侧影柔和、清冷、克制、孤独、温婉而哀伤。两侧人物比例协调、不拥挤，发丝与衣袍在中轴交汇、破碎并流动融合，形成梦境与记忆交织的效果，不做生硬分割或拼贴。 让两张剪影内部各自生长出完整世界。左侧神话世界包括残破佛像、妖魔轮廓、燃烧的古庙与地狱火光；战场废墟、断裂石柱、锁链、金箍和兵器残骸；火焰、烟尘、黑云、雷电与血色天空；远处以细小匿名剪影表现持棍交战者、妖怪和扭曲生物。整体压抑、神秘、暴烈、毁灭感强。右侧词人世界包括细雨江南水乡、小桥流水、庭院楼阁；残灯、孤舟、落花、竹林、书案与古琴；同一成年女性的微型诗意场景：独立窗前执笔、凝望远方、独行桥上；纸伞、书卷、酒盏与风吹花瓣。整体清冷、孤寂、柔美、哀愁。 让中轴两侧发生“世界侵蚀与融合”：火焰逐渐化为落花，烟尘转成水雾，战场碎片融入江南水面，乌鸦飞入雨中化为花瓣或墨点。表达宿命、孤独、破碎与温柔共存、战斗与诗意对冲，以及人间与神话的交织。采用电影级强对比光影与体积光、梦幻水彩和水墨晕染、中国古风写意与暗黑神话质感融合；细节丰厚但整体克制统一。左侧以黑、金、火橙、暗红为主；右侧以青灰、月白、淡粉、水墨为主；中间用烟灰和水雾渐变融合。双人物尺度协调、叙事清晰，电影海报质感，画面超清细致，不出现现代元素，不做硬拼贴。

英語プロンプト

Create a 9:16 vertical, high-detail, collectible-quality epic cinematic art poster, a double-exposure narrative portrait of two proportionate, interwoven side-profile silhouettes. On the left, form a hard, fractured, burning profile of a mythic demon-deity/warrior in a Black Myth-inspired dark-fantasy world: rebellious, wild, oppressive, mysterious and destructive, explicitly a fantastical nonhuman mythic being rather than a portrait of a real person or a specific game character. On the right, depict one clearly adult woman as a generic Song-dynasty female poet role, adapted to the configured ref-10a-v1 identity; do not claim she is the historical Li Qingzhao or a named real person. Her profile is soft, cool, restrained, lonely, gentle and sorrowful. Let both profiles remain balanced and uncrowded; their hair and robes intersect, fracture and flow together along the center, making a dream-memory fusion rather than a hard split or collage. Grow a complete world inside each silhouette. In the left mythic world include broken Buddha statues, demon forms, burning ancient temples and hellfire; battlefield ruins, broken stone pillars, chains, a golden hoop and wrecked weapons; flames, smoke, black clouds, lightning and a blood-red sky; tiny distant, anonymous staff-fighting silhouettes, monsters and twisted creatures. Keep this realm oppressive, mysterious, violent and strongly destructive. In the right poetic world include a rainy Jiangnan water town, small bridges over flowing water, courtyards and pavilions; a fading lamp, lone boat, falling flowers, bamboo grove, scholar’s desk and guqin; the same adult woman in small poetic vignettes, standing alone at a window with a brush, gazing into the distance and walking alone across a bridge; paper umbrella, scrolls, wine cups and windblown petals. Keep this realm cool, solitary, soft and sorrowful. At the central axis, make the worlds erode into one another: flames gradually become falling flowers; smoke becomes water mist; battlefield fragments merge into the Jiangnan water; crows fly into the rain and transform into petals or ink dots. Convey fate, loneliness, brokenness coexisting with tenderness, combat colliding with poetry, and the human world intertwined with mythology. Use cinematic high-contrast chiaroscuro and volumetric light, fantasy watercolor blended with ink wash, Chinese classical freehand painting fused with dark myth texture; richly detailed yet restrained and unified. Use black, gold, fire orange and dark red on the left; cyan-gray, moon white, pale pink and ink wash on the right; blend them through smoke gray and water mist at center. Give the two characters coordinated scale and clear narrative readability. Film-poster finish, ultra-clear detail, no modern elements, no hard collage.

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