OpenZhenZhen AI プロンプトギャラリー · MiniMax H3 · video

東方暗黒神話：天葬の巨像

Eastern Dark Myth: The Sky Burial Colossus

「東方暗黒神話：天葬の巨像」は MiniMax H3 を使用した作品です。OpenZhenZhen で元のプロンプトと生成例を確認し、創作の参考にできます。

東方暗黒神話：天葬の巨像 — AI video creation
東方暗黒神話：天葬の巨像

プロンプト

中国語プロンプト

MiniMax H3 视频生成规格：生成一段 15 秒、单镜头、16:9 宽屏的电影感视频。风格为东方暗黑神话、天葬意象、巨物尺度恐惧和中式超现实灾难景观。无对白、无旁白。整体采用冷灰色、骨白色、古金色和暗红色调。低压天空持续降下大量羽毛，如雪般飘落。0:00–0:03：使用 85mm 微距长焦和浅景深，以极近特写开场。骨白色羽毛缓慢落在一口半埋于黑色冻土中的巨大青铜钟上。钟身布满古老符文和开裂的血色锈迹。每次羽毛落下都伴随几乎听不见的低频闷响，使附近碎石轻微震动。冷色顶光，纯黑阴影。0:03–0:08：镜头贴近地面，以 35mm 镜头沿稳定滑轨后移并缓慢抬升。黑色荒原上矗立着无数倾斜木桩和破碎经幡，地面铺满羽毛。镜头掠过几组巨大的枯鹿角，起初像普通遗骸，随后显露为某个庞大实体的一部分。镜头继续后撤，层层暗红色祭祀布料从地面缓慢升起。布料沾有灰尘和蜡迹，并带着雨水侵蚀的痕迹，边缘悬挂着小青铜铃。铃声极轻却密集，令人不安。0:08–0:12：镜头穿过倒塌石门，进入开阔视野；使用 24mm 广角和深焦。完整巨物显现：一尊伏于山谷中的天葬神像缓慢升起。其躯体由数百层厚重祭祀布料、兽角、骨饰和一个巨大的空洞面具构成，高度远超山脊。上升气流将大片羽毛卷入空中，如同逆流的雪。远处废弃寺庙和经幡在它脚下显得极其渺小。天空变成惨白色，巨像上半身形成压迫感十足的剪影。0:12–0:15：使用 50mm 镜头缓慢前推。悬挂在巨像胸前的巨大空洞面具逐渐转向镜头。面具五官空无一物，眼窝深处仅有微弱暗红色火星闪烁。所有铃铛同时轻响，羽毛骤然停止飘落，画面边缘逐渐失光，最终黑屏。声音设计：低频风压声、远处的铃铛群声和巨大布料拖拽声，最后一声空洞铃响后归于寂静。全程保持连续运动、宏伟尺度、丰富氛围细节和缓慢压迫的节奏。

英語プロンプト

MiniMax H3 video generation specification: Create a 15-second, single-shot cinematic video in 16:9 widescreen. Style: Eastern dark mythology, celestial-burial imagery, colossal-scale horror, Chinese surreal disaster landscape. No dialogue and no voiceover. Use a cold gray, bone-white, antique-gold, and dark-red palette. A low-pressure sky sheds countless feathers continuously like snow. 0:00–0:03: Begin with an extreme close-up using an 85mm macro telephoto lens and shallow depth of field. Bone-white feathers settle slowly onto a gigantic bronze bell half-buried in black frozen soil. The bell is covered in ancient runes and cracked blood-colored rust. Each impact produces an almost inaudible low-frequency thud, subtly vibrating nearby stones. Cold overhead light and pure black shadows. 0:03–0:08: The camera moves close to the ground, tracking backward and rising slowly on a stable rail with a 35mm lens. On the black wasteland stand countless leaning stakes and shattered prayer flags; the ground is carpeted with feathers. The camera passes enormous dead-antler shapes that first resemble ordinary remains, then reveal themselves as parts of a colossal entity. As the retreat continues, layers of dark-red ritual cloth slowly pull upward from the ground. The cloth is stained with dust and wax and marked by rain erosion, with tiny bronze bells hanging from its edges. Their faint, dense ringing feels unnerving. 0:08–0:12: Pass through a collapsed stone gate into a wide reveal, using a 24mm wide-angle lens with deep focus. The complete giant emerges: a celestial-burial deity lying in the valley slowly rises. Its body is built from hundreds of layers of heavy ritual cloth, animal horns, bone ornaments, and a gigantic hollow mask, towering far above the ridgeline. Updrafts whip vast sheets of feathers into the air like snow flowing upward. Abandoned temples and prayer flags in the distance look minuscule beneath it. The sky turns pallid white, while the upper body becomes an oppressive silhouette. 0:12–0:15: Slowly push forward with a 50mm lens. The enormous hollow mask suspended on the giant’s chest gradually turns toward the camera. Its facial features are empty; only faint dark-red embers flicker deep inside the eye sockets. Every bell rings softly at once. The feathers abruptly stop falling, the image edges progressively lose light, and the video ends in black. Sound design: low-frequency wind pressure, a distant cluster of bells, and the drag of immense cloth, falling into silence after one final hollow bell tone. Maintain continuous motion, monumental scale, atmospheric detail, and a slow, oppressive rhythm throughout.

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