OpenZhenZhen AI プロンプトギャラリー · SEEDANCE2.5 · video
上海のお姉さんVLOG
Shanghai Girl VLOG
「上海のお姉さんVLOG」は SEEDANCE2.5 を使用した作品です。OpenZhenZhen で元のプロンプトと生成例を確認し、創作の参考にできます。
プロンプト
中国語プロンプト
一段真实的初夏旧城漫游vlog，由一位朋友使用智能手机或小型无反相机，跟随主角拍摄她从上午到黄昏的一天。 使用上传参考图中@图片1 的成年女性作为整段视频唯一主角。参考图中的面部特写、正面全身、侧面和背面展示的是同一个人，只用于确定人物外观，不在视频中生成拼图、多视图或多个主角。在整个视频中保持她确切的面部身份、脸型、五官、眼睛、鼻子、嘴唇、肤色、年龄感和身体比例，严格以参考图为准。她始终保持参考图中的银灰色短直发波波头，长度在下颌至颈部附近，偏中分，发根颜色略深，前侧有自然垂落的细碎发丝，无齐刘海；发色、长度、分缝和发型轮廓在所有场景中保持一致。 她始终穿着参考图中的黑色无袖短款西装马甲，保留宽肩、翻领、银色纽扣和前侧口袋细节，内搭白色短款上衣，搭配米白色高腰宽松阔腿长裤和黑色厚底鞋。随身携带参考图中的黑色短提手手提包，保留其形状、尺寸、材质和提手结构，以自然手提、挂在前臂或放在身边的方式携带。佩戴参考图中的银色细项链、垂坠耳饰和戒指，款式与佩戴位置保持一致。人物身份、发型、服装、鞋子、包和配饰在所有场景中保持一致。 镜头感觉像真实朋友拍摄的个人旅行vlog，而不是商业制作。自然的便携式手持移动，随意的取景，轻微的行走晃动，偶尔不完全居中的构图，不完美但真实的真人镜头运动。没有剧本表演。女性行为自然，不刻意摆拍，不持续直视镜头，像真实的周末旅行vlog一样观察环境、挑选物品、与朋友交流。 整段视频不能连续从人物背后拍摄，纯背影画面只用于进入场景、离开场景或动作连接，所占比例不超过整段视频的20%。摄影机主要位于女主侧前方、斜前方或与她平行的位置，让每一个场景都能够同时看到环境、人物动作以及她清晰的正面、侧脸或三分之二侧脸。 每一个场景都使用真实环境中的侧逆光或背侧光，让阳光自然照亮银灰色短发边缘和细小发丝，形成柔和、细腻的发丝光和轮廓光，使头发与背景分离，同时保证脸部曝光自然明亮，不因逆光变黑。光线只改变头发的自然反光，不改变参考图中的银灰色基础发色，不让头发变成长发。 0—5秒：上午出发。 画面先以短暂的环境中景交代温馨公寓门口、安静的旧城区街道和刚刚开始活动的行人。女性提着黑色手提包从公寓走出来，摄影机没有一直跟在她身后，而是站在街道斜前方，以轻微倒退的手持方式拍摄她迎面走来，让她的三分之二侧脸、上半身动作和身后的街道同时出现在画面中。 她低头查看手机，抬手自然地将一侧短发整理到耳后，随后抬眼看向正在拍摄她的朋友，露出短暂而自然的微笑，再将视线移回前方继续走路。手机、手提包和整理头发的动作自然衔接，手提包可以暂时挂在前臂，避免不合理的手部动作。 柔和的上午阳光从她侧后方照射，银灰色短发的外缘和被风吹起的细小发丝形成清晰但不过曝的浅金色反光，头发仍保持银灰色，脸部保持通透、明亮和真实肤色。 路边树叶或栏杆可以短暂经过画面前景，女主位于中景，背景保留街道、店铺和自然经过的行人。只有在她走出公寓门口的最初一瞬间，可以短暂出现侧后方或背影画面，随后摄影机立即移动到侧前方。 5—12秒：逛街角花市。 画面先用手持环境中景展示摆满鲜花、绿植和遮阳棚的小街，随后摄影机从花束形成的自然前景后靠近女主。 她从画面侧面进入花市，摄影机与她平行侧面跟拍，使她的完整侧脸、银灰色短发、黑色无袖西装马甲、米白色阔腿长裤、黑色手提包和身后的花摊同时清晰可见。 她在一个小花摊前停下，低头观察不同花束，摄影机从她的侧后方小幅度移动到侧前方，形成自然、不完整的半环绕，捕捉她三分之二侧脸、手部挑花动作和真实表情。她最后选中一枝向日葵，拿起来观察，轻轻闻一下，然后自然地转头向拍摄她的朋友说一句简短的话并笑起来。黑色手提包自然挂在另一侧前臂或由另一只手提着，挑花动作符合真实的人体协调。 花市上方穿过树叶或遮阳棚缝隙的自然阳光从她侧后方落下，在银灰色短发边缘形成细碎、柔和的发丝光，部分发丝被微风吹动并被阳光照亮。女主的脸部保持自然明亮，眼睛中带有轻微的环境反光，不出现明显补光灯或商业棚拍效果。 前景可以有轻微虚化的花朵，中景是女主挑选向日葵，背景保留花摊老板、花架和自然经过的路人。背影只在她离开花摊、继续走向下一条街道时短暂出现。 12—20秒：探索旧城区。 画面先以随意的环境中景展示狭窄旧城街道、复古店铺、书店橱窗和街边小餐馆。女性手里拿着刚买的向日葵，另一只手提着黑色手提包，或将包自然挂在前臂，从街道侧面经过摄影机。 摄影机先在她的斜前方倒退跟拍，使她的三分之二侧脸、自然走路动作和背后的旧城区建筑同时进入画面，随后与她保持平行，以轻微手持起伏拍摄她观察店铺和橱窗。 她进入一家安静的小书店时，只短暂使用两秒以内的侧后方或背影镜头交代她推门进入，随后摄影机从书架之间移动到她的侧前方。 她站在靠近窗户的位置翻看一本摄影集或旅行杂志，视线自然落在书页上。翻书前，她自然地将向日葵和黑色手提包暂时放在身旁可见的窗台或桌面上，保持物品位置连续。看到有趣的页面后，她侧身转向摄影机，将书页自然展示给朋友，画面清晰看到她的侧脸或三分之二侧脸，她轻轻笑一下，再低头继续翻看。 书店窗户或敞开的门口提供柔和的侧后方日光，在她银灰色短发边缘形成细腻的银白色发丝光，让头发层次与昏暗书架背景自然分开，同时脸部保持柔和、真实的正常曝光。头发保留参考图中的深浅层次，不因窗边光线变成整片纯白或失去发丝细节。 书架边缘、书本或橱窗反射可以形成自然前景，中景是女主翻书和展示页面，背景保留真实店内空间。 离开书店前，她自然拿回向日葵和黑色手提包。离开书店后，她站在街角用手机拍摄建筑，摄影机位于她的侧前方，既能看到她的侧脸，也能看到她举起手机和正在拍摄的街景。向日葵由另一只手握着，黑色手提包自然挂在前臂。微风自然吹动她的短发、黑色马甲衣摆、宽松裤腿和向日葵花瓣。 20—27秒：河畔下午。 画面先用手持环境中景交代城市河畔、公园草地、野餐布、朋友和远处河流。 女性拿着向日葵、提着黑色手提包从侧前方走向朋友，摄影机位于她的斜前方并稍微向侧面让开，拍到她看到朋友后自然露出的笑容以及身后的河畔环境。 只有她靠近野餐布和坐下的短暂过程可以出现侧后方角度，随后摄影机移动到朋友之间，以真实聚会中的随手拍摄方式捕捉女主的正面、侧面和三分之二侧脸。 她坐在朋友旁边，将黑色手提包放在自己身边，将向日葵放在旁边或握在手中，听朋友讲话时自然微笑，接过饮料，随后因为朋友的一句话真实地笑起来。 摄影机在人群之间轻微移动，偶尔被朋友的肩膀、饮料杯或草地植物短暂遮挡，但女主的脸不会长时间被遮住。她在聊天过程中自然转头看向拍摄她的朋友，露出短暂、放松的微笑，然后再次看向身边的人。 下午较低角度的自然阳光从女主侧后方照射，银灰色短发外缘形成温暖、通透的金色反光，头发被河畔微风轻轻吹动，细小发丝在光线中清晰可见。头发的主体仍保持银灰色，脸部保持自然明亮，皮肤有真实纹理和柔和阴影，不出现过度磨皮。 前景是朋友肩膀、饮料或草叶，中景是女主与朋友自然互动，背景保留河流、树木、其他游客和下午天空。朋友只是自然出现的背景或互动人物，不成为第二主角，不拥有参考人物的脸。 27—30秒：结束时刻。 黄昏金色时段。女性坐在河边台阶或草地上，黑色手提包放在她身边，她手中拿着向日葵和饮料。 镜头不以纯背影作为主要画面，而是先从她的侧面或侧前方拍摄，让她的清晰侧脸、银灰色短发、手中的向日葵和远处夕阳同时出现在画面中。 她安静地看向河面，晚风吹动她的短直发和脸侧细碎发丝，随后自然地微微转头，看向正在拍摄她的朋友，露出轻松、真实的微笑，再将视线转回夕阳。 摄影机从她的侧前方缓慢横向移动到侧后方并轻轻向后退，但始终保留她部分侧脸轮廓，不完全变成看不到脸的背影。 低角度金色夕阳从她的背侧照射，在银灰色短发轮廓和飘起的细小发丝上形成整段视频中最明显但仍然真实、克制的金色发丝光。头发边缘明亮，仍保留银灰色基础发色和真实发丝细节，脸部不过暗，天空和皮肤均不过曝。 画面逐渐展现河流、旧城区建筑、自然经过的行人和宁静的黄昏天空，形成一种真实、轻松、属于个人记忆的周末漫游感。 视觉风格： 真实的个人旅行vlog镜头。逼真的智能手机或小型无反相机画面。自然日光和符合上午、下午、黄昏时间变化的真实光线。 每个场景都通过真实存在的晨光、树叶缝隙光、窗户日光、河畔低角度阳光和金色夕阳形成自然侧逆光或背侧光，使女主银灰色短发边缘持续出现柔和、细腻、真实的发丝光和轮廓光。发丝光不能来自摄影棚灯光，不能变成夸张圣光、白色光圈、虚假光晕或过度曝光。不同时间的光线可以使发丝呈现银白色或浅金色反光，但不能改变她固定的银灰色发色、短发长度或发型。 脸部即使处于逆光环境也保持自然明亮，保留真实皮肤纹理、自然肤色、柔和阴影和细微眼神光。 镜头交替使用侧前方倒退跟拍、平行侧面跟拍、从侧后方移动到侧前方、人物经过摄影机时自然捕捉侧脸，以及人物停留时的小幅度手持半环绕。 纯背影只作为短暂的动作连接，不超过整段视频的20%。每个场景至少清晰出现一次女主的正面、侧面、侧前方或三分之二侧脸。每个画面同时保留人物和环境，不只拍摄大头，不只拍摄背影。 前景、中景和背景层次自然，通过花束、植物、书架、橱窗、朋友肩膀或经过的行人形成偶尔的真实遮挡。随意的便携式移动，轻微的镜头抖动、行走起伏、偶尔不完美的对焦和不完全居中的取景。真实的人体动作、自然的表情变化、自然的头发和衣物运动。纪录片现实主义。
英語プロンプト
# English Prompt: A Realistic Early-Summer Old Town Travel Vlog A realistic early-summer travel vlog exploring an old town, filmed by a friend using a smartphone or a compact mirrorless camera, following the female protagonist throughout a single day from morning to sunset. Use the adult woman shown in the uploaded reference image @图片1 as the sole protagonist throughout the entire video. The facial close-up, front-facing full-body view, side view, and back view in the reference image all depict the same person and are provided only to establish her appearance. Do not generate collages, multiple views, or multiple protagonists in the video. Throughout the entire video, preserve her exact facial identity, face shape, facial features, eyes, nose, lips, skin tone, apparent age, and body proportions, strictly matching the reference image. She must consistently maintain the same silver-gray, short, straight bob hairstyle shown in the reference image. Her hair falls approximately between her jawline and neck, with a slightly off-center part, subtly darker roots, and naturally falling wispy strands around the front and sides of her face. She has no blunt bangs. Her hair color, length, parting, and overall hairstyle silhouette must remain identical across all scenes. She wears the exact same outfit throughout the video: a black sleeveless cropped tailored vest with broad shoulders, lapels, silver buttons, and front pockets, layered over a white cropped top, paired with off-white high-waisted loose wide-leg trousers and black platform shoes. She carries the same black short-handled handbag shown in the reference image, preserving its exact shape, size, material, and handle structure. She carries it naturally by hand, rests it on her forearm, or places it beside her when appropriate. She also wears the same delicate silver necklace, dangling earrings, and rings shown in the reference image, maintaining their exact designs and positions. Her identity, hairstyle, clothing, shoes, handbag, and accessories must remain completely consistent throughout all scenes. The footage should feel like a genuine personal travel vlog filmed casually by a friend, rather than a commercial production. Use natural handheld camera movement, spontaneous framing, subtle walking-induced camera shake, occasional slightly off-center compositions, and imperfect but authentic human-operated camera movements. There should be no scripted or exaggerated performances. The woman behaves naturally and spontaneously, without deliberately posing or constantly looking into the camera. She explores her surroundings, browses items, and interacts casually with her friends, just as she would during a real weekend trip. The video must not be filmed continuously from behind the protagonist. Pure back-view shots should only be used briefly to establish scene entrances, exits, or transitions between actions, accounting for no more than 20% of the total video duration. The camera should primarily remain in front-side, three-quarter front, or parallel side positions relative to the protagonist, ensuring that every scene simultaneously captures the environment, her natural movements, and a clearly visible front view, profile, or three-quarter view of her face. Every scene must use authentic side-backlighting or back-side lighting from real environmental sources. Natural sunlight should illuminate the edges of her short silver-gray hair and individual flyaway strands, creating soft, delicate rim lighting and hair highlights that separate her hair from the background. Her face must remain naturally and clearly exposed, never becoming excessively dark due to backlighting. The lighting may change the natural reflections on her hair but must never alter its underlying silver-gray color or make her hair appear longer. ## 0–5 Seconds: Morning Departure The video begins with a brief handheld environmental medium shot establishing the entrance of a cozy apartment building, a quiet old-town street, and a few pedestrians beginning their morning activities. The woman steps out of the apartment carrying her black handbag. Instead of following her continuously from behind, the camera is positioned diagonally in front of her on the street and moves backward slightly with natural handheld motion as she approaches. Her three-quarter profile, upper-body movements, and the old-town street behind her are all visible within the same frame. She looks down briefly to check her phone, then naturally raises one hand to tuck a few strands of her short hair behind her ear. Afterward, she looks up toward the friend filming her and gives a brief, genuine smile before shifting her gaze forward and continuing to walk. Her movements involving the phone, handbag, and hair adjustment must flow naturally. The handbag may temporarily rest on her forearm to avoid awkward or physically unrealistic hand movements. Soft morning sunlight enters from behind and slightly to one side of her. The outer edges of her silver-gray bob and delicate flyaway strands lifted by the breeze catch subtle pale-golden reflections that are clearly visible but never overexposed. Her hair remains fundamentally silver-gray, while her face retains clear, luminous, natural skin tones. Leaves or roadside railings may briefly pass through the foreground. The protagonist remains in a medium shot, with the street, storefronts, and naturally passing pedestrians visible in the background. A brief rear or rear-side angle is acceptable only during the initial moment when she exits the apartment entrance. The camera must then immediately move into a front-side position. ## 5–12 Seconds: Exploring a Corner Flower Market The scene begins with a handheld environmental medium shot showing a charming street filled with fresh flowers, green plants, and market awnings. The camera then approaches the protagonist through a naturally layered foreground of flower bouquets. She enters the flower market from the side of the frame. The camera tracks parallel to her from the side, clearly capturing her full facial profile, short silver-gray hair, black sleeveless tailored vest, off-white wide-leg trousers, black handbag, and the flower stalls behind her. She stops at a small flower stall and looks down to examine several bouquets. The camera moves slightly from her rear-side position toward her front-side position, creating a natural, incomplete handheld half-orbit. This movement captures her three-quarter facial view, her hands selecting flowers, and her authentic facial expressions. She eventually chooses a single sunflower, picks it up, examines it closely, and gently brings it toward her nose to smell it. She then turns naturally toward the friend filming her, says a short casual remark, and laughs. Her black handbag remains naturally hanging from her opposite forearm or carried in her other hand. All flower-selection movements and handbag interactions must follow realistic human body mechanics. Natural sunlight filters through the leaves and gaps in the market awnings, falling onto her from behind and slightly to one side. The light creates delicate, soft, fragmented highlights along the edges of her silver-gray bob. A few fine strands of hair move naturally in the breeze and catch the sunlight. Her face remains naturally bright, with subtle environmental reflections in her eyes. There must be no visible artificial fill lights or commercial studio-lighting effects. The foreground may contain softly blurred flowers. The middle ground features the protagonist selecting the sunflower. The background retains the flower vendor, flower racks, and pedestrians moving naturally through the market. A brief rear-view shot may appear only as she leaves the flower stall and continues toward the next street. ## 12–20 Seconds: Discovering the Old Town The scene begins with casual handheld environmental medium shots of narrow old-town streets, vintage storefronts, bookstore windows, and small sidewalk restaurants. The woman walks past the camera from the side, holding the sunflower she has just purchased in one hand and carrying her black handbag in the other, or allowing the handbag to rest naturally on her forearm. The camera initially tracks backward from a diagonal front position, capturing her three-quarter facial view, natural walking movements, and the historic buildings behind her within the same frame. It then moves into a parallel side-tracking position, with gentle handheld motion, as she looks at shopfronts and window displays. When she enters a quiet little bookstore, a brief rear-side or back-view shot lasting no more than two seconds may be used to establish her opening the door and stepping inside. The camera then moves between the bookshelves to regain a front-side view of her. She stands near a window and casually flips through a photography book or travel magazine, with her attention naturally focused on the pages. Before opening the book, she naturally places her sunflower and black handbag on a nearby visible windowsill or table. Their positions must remain visually consistent throughout the scene. After discovering an interesting page, she turns slightly toward the camera and casually shows the page to her friend. Her profile or three-quarter facial view remains clearly visible. She gives a small, spontaneous smile before looking down and continuing to browse the book. Soft daylight enters through the bookstore window or open doorway from behind and slightly to one side of her. This produces fine, silver-white highlights along the edges of her short silver-gray hair, naturally separating its layered texture from the darker bookshelves. Her face remains softly illuminated with realistic exposure. Her hair retains the darker and lighter tonal variations seen in the reference image. The window light must not turn it into a solid white shape or erase individual hair-strand details. Bookshelf edges, books, or subtle reflections in the shop window may create natural foreground layers. The middle ground focuses on the protagonist browsing and showing the book. The background retains the authentic interior of the bookstore. Before leaving, she naturally picks up both her sunflower and black handbag. After exiting the bookstore, she stops at a street corner to photograph an interesting old building with her smartphone. The camera remains at her front-side angle, allowing her profile, raised smartphone, and the architecture she is photographing to appear together. She holds the sunflower in her other hand, while the black handbag hangs naturally from her forearm. A gentle breeze moves her short hair, the hem of her black vest, her loose trouser legs, and the sunflower petals. ## 20–27 Seconds: Afternoon by the Riverside The scene begins with a handheld environmental medium shot establishing a city riverside, a grassy park, a picnic blanket, a small group of friends, and the river in the distance. The woman approaches her friends from a front-side angle, holding the sunflower and carrying her black handbag. The camera is positioned diagonally in front of her and casually shifts sideways as she approaches. This captures her spontaneous smile when she notices her friends, along with the riverside scenery behind her. Only the brief moment when she approaches the picnic blanket and sits down may include a rear-side camera angle. Afterward, the camera moves among the friends, filming in the casual, spontaneous manner of someone documenting a real gathering. The footage captures clear front, side, and three-quarter views of the protagonist. She sits beside her friends and places her black handbag next to her. She either lays the sunflower beside her or continues holding it naturally. She smiles while listening to a friend, accepts a drink, and then bursts into genuine laughter in response to something a friend says. The camera moves subtly between the people, occasionally allowing a friend's shoulder, a drink cup, or nearby grass to briefly obscure part of the frame. However, the protagonist's face must never remain hidden for an extended period. During the conversation, she naturally turns toward the friend filming her, offers a brief, relaxed smile, and then turns her attention back to the people beside her. Lower-angle afternoon sunlight enters from behind and slightly to one side of the protagonist. It creates warm, translucent golden reflections along the outer edges of her short silver-gray hair. The riverside breeze gently moves her hair, making fine individual strands visible as they catch the sunlight. The main body of her hair must remain silver-gray. Her face stays naturally bright, with authentic skin texture and soft shadows, without excessive skin smoothing. The foreground includes friends' shoulders, drinks, or blades of grass. The middle ground features the protagonist interacting naturally with her friends. The background retains the river, trees, other park visitors, and the afternoon sky. Her friends appear only as natural background or supporting interaction characters. They must not become secondary protagonists or share the reference woman's facial identity. ## 27–30 Seconds: The Closing Moment Golden hour at sunset. The woman sits on riverside steps or on the grass beside the river. Her black handbag rests beside her, while she holds the sunflower and her drink. The scene must not primarily use a pure back-view composition. Instead, the camera begins from her side or front-side angle, capturing her clearly visible facial profile, silver-gray bob, sunflower, and the distant sunset within the same frame. She quietly gazes toward the river. The evening breeze gently moves her short, straight hair and the fine strands framing her face. She then turns her head slightly toward the friend filming her, gives a relaxed and genuine smile, and naturally returns her gaze to the sunset. The camera slowly moves laterally from her front-side position toward a rear-side angle while gently pulling back. However, it must continuously preserve part of her visible facial profile and must never become a completely faceless rear-view shot. Low-angle golden sunlight enters from behind and slightly to one side of her. It creates the most pronounced yet still natural and restrained golden hair highlights of the entire video. The outer edges of her silver-gray bob and the tiny airborne flyaway strands catch the warm sunset light. The hair edges appear luminous while retaining the underlying silver-gray color and realistic individual strand details. Her face must not become excessively dark, and neither the sky nor her skin should be overexposed. As the camera gently pulls back, the frame gradually reveals more of the river, historic old-town buildings, naturally passing pedestrians, and the peaceful sunset sky. The ending should evoke the feeling of a genuine, relaxed, personal memory from a beautiful weekend spent wandering through an old town. ## Overall Visual Style Authentic personal travel vlog footage. Photorealistic smartphone or compact mirrorless-camera imagery. Natural daylight with realistic changes in lighting conditions throughout the morning, afternoon, and sunset. Every scene must use naturally occurring side-backlighting or back-side lighting, created by real environmental sources such as morning sunlight, sunlight filtering through tree leaves, bookstore window light, low-angle riverside afternoon sunlight, and golden-hour sunset light. These natural light sources should consistently produce soft, delicate, realistic hair highlights and subtle rim lighting along the edges of the protagonist's short silver-gray hair. The hair lighting must never resemble artificial studio lighting, exaggerated heavenly rays, bright white halos, fake glows, or excessive overexposure. Different lighting conditions may produce silver-white or pale-golden reflections on individual strands, but the woman's underlying silver-gray hair color, short length, and hairstyle must remain unchanged. Even in backlit environments, her face should remain naturally bright and clearly visible. Preserve authentic skin texture, realistic skin tones, soft shadows, and subtle natural catchlights in her eyes. Camera movements should alternate naturally between front-side backward tracking, parallel side tracking, moving from a rear-side position toward a front-side position, spontaneously capturing her profile as she walks past the camera, and subtle handheld half-orbits while she pauses to explore her surroundings. Pure back-view shots must be limited to brief action transitions and must account for no more than 20% of the entire video. Every scene must include at least one clearly visible front, side, front-side, or three-quarter facial view of the protagonist. Every shot should preserve a meaningful visual relationship between the woman and her surroundings. Avoid filming only close-ups of her face or repetitive shots from behind. Create natural foreground, middle-ground, and background depth. Use flowers, plants, bookshelves, shop windows, friends' shoulders, and passing pedestrians to introduce occasional authentic foreground occlusions. The camera should feel lightweight, handheld, and personally operated, with gentle camera shake, subtle vertical walking motion, occasional imperfect focus, spontaneous reframing, and slightly off-center compositions. All body movements, gestures, facial expressions, hair movement, and fabric motion must be physically realistic and natural. Maintain strict visual continuity of the protagonist's identity, facial structure, hairstyle, clothing, accessories, handbag, and sunflower across all shots. Avoid excessive cinematic polish, beauty filters, artificial skin smoothing, dramatic color grading, overly choreographed movements, staged poses, commercial fashion-film aesthetics, or unnatural camera motion. The entire video should feel like a genuine, unscripted, intimate weekend travel memory filmed by a friend. Documentary realism. Authentic human behavior. Natural handheld cinematography. Consistent character identity. Realistic environmental lighting. Soft natural hair rim light. Spontaneous personal travel vlog atmosphere.
画像・動画プロンプトをもっと見る · 画像を生成 · 動画を生成 · AI キャンバスで作成
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