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Série d'affiches : architecture brutaliste et typographie en perspective

Brutalist Architecture and Perspective Typography Poster Series

Série d'affiches : architecture brutaliste et typographie en perspective — découvrez cette création avec gpt-image-2.5 sur OpenZhenZhen, son prompt original et un exemple de génération à réutiliser.

Série d'affiches : architecture brutaliste et typographie en perspective — AI image creation
Série d'affiches : architecture brutaliste et typographie en perspective

Prompt

Prompt chinois

创作一张9:16竖版高端编辑风格系列海报，本次选择：TYPE VOID（镂空墙体）。采用粗野主义建筑、具有纪念碑感的透视字体、一位来自已配置固定身份参考 ref-10a-v1 的写实明确成年主角，以及强烈的三维空间设计。全系列统一使用深钴蓝天空、温暖原生混凝土灰、暖象牙色字体、炭灰人物造型，并以安全橙作为唯一强烈点缀色。整体大胆、干净、几何而精致。 采用戏剧性的低角度透视，让建筑、字体、人物与空间介入处于同一可信的透视体系。建筑具有纪念碑感，造型简洁几何。字体高大、狭长、粗壮，并融入建筑构图而非平面叠字。主角姿势自然、比例真实。加入克制的编辑式微文案，层级清楚、信息密度受控。每次只呈现所选概念的一张完整海报，不要把四种概念拼成一张拼贴图。 概念选项（所选方案须使用准确标题及其全部指定文案）： • TYPE VOID（镂空墙体）：巨型混凝土墙上的“VOID”完整镂空成为真实建筑开口，内壁为安全橙并呈现明显纵深；主角自然站立或迈步于D形开口内。天空中加入巨大的暖象牙色透视字“TYPE”。配文：“WORDS BECOME OPENINGS”、“STEP THROUGH”、“POSITIVE / NEGATIVE”。 • SHIFT FRAME（偏移框架）：低角度呈现错位粗野主义混凝土平台，主角坐在边缘附近；以旋转的半透明橙色空间框架环绕并穿插人物，呈现可见厚度与纤细象牙色结构边。天空中加入巨大透视标题“SHIFT FRAME”。配文：“OFF AXIS”、“MOVE THE GRID”、“BETWEEN PLANES”。 • TYPE DEPTH（立体字形）：粗野主义场景中的“TYPE”成为巨大的三维挤出字形，正面为暖象牙色，侧面呈安全橙纵深；主角自然穿行于字形之间。更远处天空透视中加入“DEPTH”。配文：“WORDS HAVE WEIGHT”、“STEP INSIDE”、“TYPE IN SPACE”。 • FLOAT LEVEL（悬浮层）：两块大型错位混凝土板，主角沿上层行走；加入两个彼此分离的半透明空间平面，较大的烟灰色平面在后，较小的橙色平面在前，如同盒体被拆解成层。天空中加入巨大透视标题“FLOAT LEVEL”。配文：“BETWEEN PLANES”、“NO FIXED GROUND”、“OFFSET HEIGHT”。 四种方案属于同一视觉系列，但分别探索建筑、字体、人物尺度与空间介入的不同关系。所有指定文字须正确拼写并清晰可读。不要额外文字、Logo、水印或无关视觉元素。

Prompt anglais

Create ONE 9:16 vertical poster from a coherent high-end editorial series. Selected concept: TYPE VOID（镂空墙体）. Use brutalist architecture, monumental perspective typography, a realistic clearly adult featured figure from configured fixed identity reference ref-10a-v1, and strong three-dimensional spatial design. The shared palette is deep cobalt-blue sky, warm raw-concrete gray, warm-ivory typography, charcoal figure styling and safety orange as the only strong accent. Keep the design bold, clean, geometric and sophisticated. Use a dramatic low-angle perspective so architecture, type, figure and spatial intervention share one believable perspective system. Buildings are monumental, simple geometric forms. Make typography oversized, tall and condensed, integrated into the architecture rather than a flat overlay. Keep the featured figure natural and correctly scaled. Add restrained editorial microcopy with clear hierarchy and controlled information density. Render ONLY the selected concept as one complete poster; do not combine the four concepts into a collage. Concept options (use the exact title and all listed copy for the selected option): • TYPE VOID（镂空墙体）: a monumental concrete wall with “VOID” carved completely through as real openings, safety-orange inner faces and strong physical depth; the figure stands or steps naturally inside the D-shaped opening. Place giant warm-ivory perspective “TYPE” across the sky. Include “WORDS BECOME OPENINGS”, “STEP THROUGH”, and “POSITIVE / NEGATIVE”. • SHIFT FRAME（偏移框架）: a dramatic low-angle view of offset brutalist platforms with the figure seated near an edge; intersect the figure with a rotated semi-transparent orange spatial frame, visible depth and thin ivory structural edges. Set giant perspective “SHIFT FRAME” across the sky. Include “OFF AXIS”, “MOVE THE GRID”, and “BETWEEN PLANES”. • TYPE DEPTH（立体字形）: a brutalist setting where “TYPE” becomes giant three-dimensional extruded letterforms with warm-ivory faces and orange side depth; the figure moves naturally through or between the letters. Place “DEPTH” farther back in sky perspective. Include “WORDS HAVE WEIGHT”, “STEP INSIDE”, and “TYPE IN SPACE”. • FLOAT LEVEL（悬浮层）: two large offset concrete slabs with the figure walking along the upper level; add two separated translucent planes, one larger smoky plane behind and one smaller orange plane in front, as if a box has been pulled apart into layers. Set giant perspective “FLOAT LEVEL” across the sky. Include “BETWEEN PLANES”, “NO FIXED GROUND”, and “OFFSET HEIGHT”. All options must belong to the same visual family while each explores a distinct relationship between architecture, typography, human scale and spatial intervention. Keep all specified lettering legible and correctly spelled. Avoid extra text, logos, watermarks and unrelated visual elements.

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