Console de réalisation MiniMax H3 : amélioration sémantique vbvr + LoRA ByteDance 8 étapes

Prompt chinois

subject_definitions: <Subject 1> is the ink-wash bamboo grove in <Picture 1>, with its material quality and brushwork: deep pine-green and teal ink laid on coarse-grained ivory rice paper, three or four stalks rising on the right side, layered clusters of long pointed leaves in near and far ink densities, a soft pale-gold moon disc half hidden behind the leaves, scattered hand-torn gold leaf flecks, and a wide area of diluted wash spreading across the lower left. The paper fibre, watermark edges, and dry-brush grain remain visible across every element; nothing is sharpened, traced, or re-rendered into clean digital vector or glossy 3D. summary: [reference generation] A 9:16 ink-wash moving image built from the bamboo grove in <Subject 1>: the front leaves sway and the movement travels down the stems, gold flecks lift off the lower wash and drift across the paper, and the moon and haze shift faintly, in a single held shot of eight seconds. retention_analysis: <Subject 1> (appears in [Shot 1]): partially_preserved - the pine-green ink palette, coarse rice-paper texture, dry-brush grain, layered leaf clusters, pale-gold moon behind the leaves, hand-torn gold flecks, and lower-left diluted wash are retained, while the exact leaf positions and stem spacing are allowed to differ as the plants move; no element gains sharpened edges, traced veins, clean vector lines, or glossy surface. detailed_description: An ink-wash painting on coarse rice paper in the hand-painted Chinese style of <Subject 1>. Paper fibre is legible in the ivory areas, ink edges stay soft and bloomed, and no element is ever sharpened or traced. [Shot 1] A vertical composition with the bamboo mass filling the right two thirds and the diluted wash opening at the lower left; the pale moon sits behind the leaves at roughly one third from the top, diffuse and never crisp. The camera pushes in with small amplitude at slow speed, one breath of movement, so the composition remains recognizable. The front leaf cluster sways first, tilting a few degrees outward and rocking back; the motion travels down the stem and reaches the middle cluster a beat later, so no two clusters move at the same time. The two heaviest leaves keep a fine gold rim along their edges as the light shifts across them. Gold flecks lift off the lower-left wash one at a time and drift upward across the ivory paper at an uneven rate, each fleck keeping its irregular hand-torn shape and its dull metallic dullness rather than becoming a glowing particle. The haze above the moon thickens faintly and then thins, and the moon stays a diffuse disc behind the ink throughout. At the end the front cluster is still swinging back into place. overall_soundscape: A thin high wind moves through bamboo, closer to paper rustle than branch creak, with long stretches of near silence between gusts. A very light dry crackle of paper grain continues underneath. non_diegetic_music: A single low guqin note at long intervals over a barely audible sustained drone, at a slow tempo, never rising above the breeze. Negative prompt: subtitles, captions, text, words, letters, descriptions, labels, annotations, watermark, signature, writing on screen