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Doomsday Battlefield: Command Center Live

Doomsday Battlefield: Command Center Live — explore this MiniMax H3 creation on OpenZhenZhen, with its original prompt and a reusable generation example.

Doomsday Battlefield: Command Center Live — AI video creation
Doomsday Battlefield: Command Center Live

Prompt

Chinese prompt

创作一段20秒、16:9、24 FPS的超写实电影感科幻军事片段,采用逼真的CGI、可信的物理运动、细致的废墟环境、冷蓝灰色调、体积烟雾、克制的橙色火光和轻微胶片颗粒。0-3秒:低机位拍摄一只站在毁灭城市中的巨大角状外星生物。它有浅灰米色的粗糙皱褶皮肤、有机装甲褶皱、巨大的头骨、向外弯曲的角、微微发出青蓝光的眼睛和不规则黄色利齿。它向镜头逼近并咆哮,面部皮肤拉伸,露出黑暗喉咙。3-6秒:切换到广角,展示外星生物与巨型白色人形战斗机甲。机甲带橙色条纹、深色关节、液压部件、划痕和污垢,以沉重而真实的步伐穿过瓦砾,脚下扬起尘土。6-9秒:建立被毁城市天际线,烟柱、火焰、倒塌建筑、直升机和战斗机在不同距离和高度穿过烟雾。跟拍一架直升机,旋翼运动可信。9-11秒:直升机近距离掠过镜头,深色机身和高速旋转的旋翼占满前景,镜头自然转入机舱。11-17秒:在轻微震动的运输直升机内,一名成年东亚女性战地记者坐在敞开舱门旁,手持麦克风自然播报。她留着松束的深色头发,神情严肃专注,穿深海军蓝或炭灰色战术夹克并戴军用耳机。旁边是一名穿深色装甲、头盔、背包和手套的重装士兵,持步枪警戒外面的废墟城市。机舱有橄榄灰色肋纹金属墙、外露梁架、线缆、设备面板和温暖琥珀色工作灯,与冷色日光形成对比。女性记者必须使用所提供的身份参考图来确定脸部和外观;保持她的成年身份、发型、服装、耳机、麦克风和座位位置在全片一致,同时保留上述服装设定。17-20秒:镜头后拉,揭示直升机画面正显示在未来军事作战中心的一块巨大矩形屏幕上。房间内有成排操作员、发光控制台、显示器以及蓝色和琥珀色灯光。前景是一名穿深色制服的成年男性指挥官,以背部三分之四角度站立观看屏幕。屏幕清楚显示同一名女性记者和士兵。保持空间连续性、自然表情、克制动作、真实的直升机震动、机械重量和电影化转场。仅加入含蓄的环境声:外星咆哮、机甲脚步、旋翼气流、远处飞行器、碎片声和低沉无线电环境声;不要出现可读文字或标志。

English prompt

Create a 20-second 16:9 photorealistic cinematic science-fiction military sequence at 24 FPS, with realistic CGI, physically believable motion, detailed destruction, cold blue-gray grading, volumetric smoke, restrained orange fires, and subtle film grain. 0-3s: A low-angle view of a gigantic horned alien in a ruined modern city. Pale gray-beige wrinkled skin, organic armor folds, massive skull, outward-curving horns, faint cyan eyes, and irregular yellow teeth. It advances and roars, with stretching facial skin and visible dark throat. 3-6s: Cut wide to the alien and a massive white humanoid combat mech with orange stripes, dark joints, hydraulic components, scratches and grime. The mech takes heavy realistic steps through rubble as dust rises. 6-9s: Establish the devastated skyline with smoke columns, fires, collapsed buildings, helicopters and fighter jets crossing at varied distances. Track one helicopter through the haze with believable rotor motion. 9-11s: The helicopter passes close to camera, dark fuselage and spinning rotor filling the foreground, then the camera transitions inside. 11-17s: Inside the vibrating transport helicopter, show an adult East Asian female field reporter seated beside the open doorway, holding a handheld microphone and speaking naturally. She has dark hair loosely tied back, a serious focused expression, a dark navy or charcoal tactical jacket, and a military headset. A heavily equipped soldier in dark armor, helmet, backpack and gloves stands beside her with a rifle, watching the ruined city outside. The interior has ribbed olive-gray metal, exposed beams, cables, equipment panels and warm amber utility lights, contrasting with cool daylight. The female reporter must use the supplied identity reference image for her face and appearance; keep her adult identity, hairstyle, clothing, headset, microphone and seating position consistent throughout, while preserving the described outfit. 17-20s: Pull back to reveal the helicopter footage on a huge rectangular screen inside a futuristic military operations room. Rows of operators, glowing consoles, monitors and blue-amber lights fill the room. An adult male commander in a dark uniform stands in the foreground in rear three-quarter view, watching the screen. The screen clearly shows the same female reporter and soldier. Keep spatial continuity, natural expressions, restrained movement, realistic aircraft vibration, mechanical weight and cinematic camera transitions. Include only implied environmental sound: alien roar, mech footsteps, rotor wash, distant aircraft, debris and subdued radio ambience; no readable text or logos.

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